211. 一套四张的展览海报，分别是小津、Cinobio Group和ZERO Group先锋派。罗丝·弗里德画廊的小琴海报，1966b。di fontana工作室的ZERO Group海报，1965c。马可尼工作室的小琴海报，1967年（两件作品）d.Cinobio集团海报，1967年 - 各种各样的艺术家 高清作品[21%]

A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967

  • Various Artists
  • A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967
  • posters printed in colours

    • A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967-VARIOUS-ARTISTS
    （一套四张的展览海报，分别是小津、Cinobio Group和ZERO Group先锋派。罗丝·弗里德画廊的小琴海报，1966b。di fontana工作室的ZERO Group海报，1965c。马可尼工作室的小琴海报，1967年（两件作品）d.Cinobio集团海报，1967年-各种各样的艺术家）

    214. 恩索书法圈`Enso Circle with Calligraphy by Nakahara Nantembo 高清作品[20%]

    AF-Enso Circle with Calligraphy

    图片文件尺寸: 8500×4367 px

    恩索书法圈-中原南登博

    -
    Ensō is a Japanese word meaning circle and a concept strongly associated with Zen. Ensō is one of the most popular subjects of Japanese calligraphy even though it is a symbol and not a character. It symbolises the Absolute, enlightenment, strength, elegance, the Universe, and the void; it can also symbolise the Japanese aesthetic itself. As an ‘expression of the moment’ it is often considered a form of minimalist expressionist art.
    In Zen Buddhist painting, ensō represents a moment when the mind is free to simply let the spirit create. The brushed ink of the circle is usually done on silk or paper in one movement (but sometimes the great Bankei used two strokes) and there is no possibility of modification: it shows the expressive movement of the spirit at that time. Zen Buddhists believe that the character of the artist is fully exposed in how he or she draws an ensō. Only a person who is mentally and spiritually complete can draw a true ensō. Achieving the perfect circle, be it a full moon or an ensō is said to be The Moment of Enlightenment.

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