212. 祈祷时间的人。039陛下！或者我们的底线是新鲜而快乐的战争039（三）` Ceux de la priemiere heure. Sire! ou en somme~nous de la guerre fraiche et joyeuse… III (c. 1914~1919) by Jean-Louis Forain 高清作品[23%]

~ Ceux de la priemiere heure. Sire! ou en somme~nous de la guerre fraiche et joyeuse… III (c. 1914~1919) -

图片文件尺寸: 4000 x 2337px

祈祷时间的人。039陛下！或者我们的底线是新鲜而快乐的战争039（三）-让-路易斯·福林

~ Ceux de la priemiere heure. Sire! ou en somme~nous de la guerre fraiche et joyeuse… III (c. 1914~1919) --Jean-Louis Forain (法国艺术家, 1852 - 1931)

214. 《无题》（为了生存而奋斗，美丽、狂野、任性，表达在日常生活实践中）（2020年） by Adler Guerrier 高清作品[23%]

Untitled (The struggle to survive, beautifully, wild and wayward, expressed in the practice of everyday life) (2020)

材质 :Archival pigment print 尺寸 :38.1 × 25.4 cm Photography

图片文件尺寸 : 5630 x 4332px

《无题》（为了生存而奋斗，美丽、狂野、任性，表达在日常生活实践中）（2020年）-阿德勒战士(Haitian, b. 1975)

英文名称:Untitled (The struggle to survive, beautifully, wild and wayward, expressed in the practice of everyday life) (2020)-Adler Guerrier

215. 佩内洛普·惠特尼（Penelope Whitney）回忆道：“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视；女孩和女人通常只被视为性对象，而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特（Charley Parkhurst，又名独眼查理）的故事。在淘金热期间，帕克赫斯特是一名著名的驿站马车司机，他去世后，人们发现帕克赫斯特在生物学上是女性。（2018年） by Jamil Hellu 高清作品[23%]

“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

佩内洛普·惠特尼（Penelope Whitney）回忆道：“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视；女孩和女人通常只被视为性对象，而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特（Charley Parkhurst，又名独眼查理）的故事。在淘金热期间，帕克赫斯特是一名著名的驿站马车司机，他去世后，人们发现帕克赫斯特在生物学上是女性。（2018年）-Jamil灯

英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu

217. 为国际而战。人人都有像样的低收入住房是的。反抗驱逐是正确的` Fight for the International Hotel. Decent low~income housing is everybodys right. It is right to rebel against eviction (1977) by Rachael Romero 高清作品[23%]

~ Fight for the International Hotel. Decent low~income housing is everybodys right. It is right to rebel against eviction (1977) -

图片文件尺寸: 6885 x 9149px

为国际而战。人人都有像样的低收入住房是的。反抗驱逐是正确的-瑞切尔·罗梅罗

~ Fight for the International Hotel. Decent low~income housing is everybodys right. It is right to rebel against eviction (1977) --Rachael Romero (Australian, 1953 -)

218. 我永远不确定是头还是腿把我带到了终点（是裤子穿错了，你对控制装置做了什么？）（2021年） by James Rogers 高清作品[22%]

I’m never sure if it’s the head, or the legs below me that take me to the places I end up (It’s the wrong trousers, what have you done with the controls?) (2021) | Available for Sale

材质 :Cobalt ink etching and aquatint on paper 尺寸 :38 × 28 cm Print

我永远不确定是头还是腿把我带到了终点（是裤子穿错了，你对控制装置做了什么？）（2021年）-詹姆斯·罗杰斯(British, b. 1993)

英文名称:I’m never sure if it’s the head, or the legs below me that take me to the places I end up (It’s the wrong trousers, what have you done with the controls?) (2021) | Available for Sale-James Rogers

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