212. 樱花枝雉` Pheasant on cherry blossom branch (1887 ~ 1945) by Ohara Koson 高清作品[23%] 图片文件尺寸: 2957 x 3976px 樱花枝雉-奥哈拉·科松~ Pheasant on cherry blossom branch (1887 ~ 1945) --Ohara Koson (Japanese, 1877-1945)
213. 可变图片(3 x 7=21个形状)|可变图片(3 x 7=21个Formen)(1964) by Jean Arp 高清作品[23%] 材质 :Paper, wood and plexiglas 尺寸 :40 × 40 cm Drawing, Collage or other Work on Paper 可变图片(3 x 7=21个形状)|可变图片(3 x 7=21个Formen)(1964)-让·阿尔普(German-French, 1886–1966)英文名称:Variable Picture (3 x 7 = 21 Shapes) | Variables Bild (3 x 7 = 21 Formen) (1964) | Available for Sale-Jean Arp
214. 图片空间构造,TEP#1 Baires |图片空间构造,TPS#1 Baires(2019) by César Paternosto 高清作品[23%] 材质 :Acrílico sobre fibro | acrylic on fibro 尺寸 :60 × 60 × 9.5 cm Mixed Media 图片空间构造,TEP#1 Baires |图片空间构造,TPS#1 Baires(2019)-凯撒·帕特诺斯托(Argentine, b. 1931)英文名称:Tectónica del espacio pictórico, TEP #1 BAires | Tectonics of pictorial space, TPS #1 BAires (2019) | Available for Sale-César Paternosto
216. 樱花野餐者` Cherry Blossoms; Picnickers (19th century) by Andō Hiroshige 高清作品[23%] 图片文件尺寸: 1450 x 4096px 樱花野餐者-和ōHiroshige~ Cherry Blossoms; Picnickers (19th century) --Andō Hiroshige (Japanese, 1797 – 1858)
217. 研究瓦迪斯·瓦杰吉奥(Władysław Jagieło)左手的绘画作品贾德维加女王她的誓言` Study of the left hand of Władysław Jagiełło for the painting ;Queen Jadwigas Oath (1867) by Józef Simmler 高清作品[23%] 图片文件尺寸: 3872 x 2978px 研究瓦迪斯·瓦杰吉奥(Władysław Jagieło)左手的绘画作品贾德维加女王她的誓言-Józef Simmler` Study of the left hand of Władysław Jagiełło for the painting ;Queen Jadwigas Oath (1867) --Józef Simmler (波兰画家, 1823-1868)
218. 研究瓦迪斯·瓦杰吉奥(Władysław Jagieło)左手的绘画作品贾德维加女王她的誓言` Study of the left hand of Władysław Jagiełło for the painting Queen Jadwigas Oath (1867) by Józef Simmler 高清作品[23%] 图片文件尺寸: 3872 x 2978px 研究瓦迪斯·瓦杰吉奥(Władysław Jagieło)左手的绘画作品贾德维加女王她的誓言-Józef Simmler~ Study of the left hand of Władysław Jagiełło for the painting Queen Jadwigas Oath (1867) --Józef Simmler (波兰画家, 1823-1868)
220. 1910年,夜樱花上的乌鸦`Crow On Night Cherry, 1910 by Ohara Koson 高清作品[22%] 图片文件尺寸: 2713×5000 px 1910年,夜樱花上的乌鸦-奥哈拉·科松-Crow On Night Cherry, 1910 (Watercolour), by Ohara Koson