材质 :Mineral pigment on paper 尺寸 :88.9 × 119.4 cm Painting
图片文件尺寸 : 5630 x 4332px
2011年第4期,什么东西比什么东西进来的早-陈文光(Chinese, b. 1953)
英文名称:What would be sooner out than what\'s in, No. 4, 2011-Chen Wenguang
材质 :Wood, found chair, discarded security camera, paper pulp, plaster, beeswax, oil paint, epoxy clay, steel, oyster shells, horse hair 尺寸 :104.1 × 66 × 53.3 cm Sculpture
风险评估(什么留下了什么掩埋了试图关闭的东西)(2021年)-欧阳卡塔琳娜(American)
英文名称:risk assessment (What left what buried what tried to close) (2021)-Catalina Ouyang
材质 :Original lithograph printed in colors on wove paper bearing the Arches script watermark. 尺寸 :64.8 × 49.8 cm Print
图片文件尺寸 : 5630 x 4332px
对女人来说,剩下的是什么?。。。(对于一个女人来说,还有什么?…)1967年-马克·夏加尔(Russian-French, 1887–1985)
英文名称:A LA FEMME, QU’EST-IL RESTÉ? . . . (For a Woman What Remains? . . .), 1967-Marc Chagall
材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography
表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)
英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez