214. 有C.Wood up的赛马Kingswood、训练师Sherrad和巴特G.Chetwynd爵士。,鲁根勋爵和站在附近的E.H.本森先生` The racehorse Kingswood with C. Wood up, the trainer Sherrad and Sir G. Chetwynnd, Bart., Lord Lurgan, and Mr E.H. Benson standing nearby (1887) by Allen Culpeper Sealy 高清作品[24%]

`
The racehorse Kingswood with C. Wood up, the trainer Sherrad and Sir G. Chetwynnd, Bart., Lord Lurgan, and Mr E.H. Benson standing nearby (1887) -

图片文件尺寸: 3200 x 1901px

有C.Wood up的赛马Kingswood、训练师Sherrad和巴特G.Chetwynd爵士。,鲁根勋爵和站在附近的E.H.本森先生-艾伦·卡佩珀·西利

` The racehorse Kingswood with C. Wood up, the trainer Sherrad and Sir G. Chetwynnd, Bart., Lord Lurgan, and Mr E.H. Benson standing nearby (1887) --Allen Culpeper Sealy (English, 1850 - 1927)

215. 学习的复兴,印刷术和火药的发明,以及美国的发现` The Revival of Learning, the Invention of Printing and Gunpowder and the Discovery of America (1784) by Nicolai Abraham Abildgaard 高清作品[23%]

~
The Revival of Learning, the Invention of Printing and Gunpowder and the Discovery of America (1784) -

图片文件尺寸: 5910 x 5861px

学习的复兴,印刷术和火药的发明,以及美国的发现-尼古拉·亚伯拉罕·阿比德加德

~ The Revival of Learning, the Invention of Printing and Gunpowder and the Discovery of America (1784) --Nicolai Abraham Abildgaard (丹麦画家, 1743-1809)

217. 弗雷德里克·克拉斯父子(FREDERICK CRACE&SON,约1845年)创作的一张罕见的维多利亚时代早期伊丽莎白复兴时期的缎木、多色和镀金写字台 by Frederick Crace & Son 高清作品[23%]

A RARE EARLY VICTORIAN ELIZABETHAN-REVIVAL SATINWOOD, POLYCHROME AND GILT WRITING-TABLE ATTRIBUTED TO FREDERICK CRACE & SON (ca. 1845)

材质 :Satinwood, polychrome, gilt 尺寸 :76.2 × 121.9 × 62.2 cm Design\\\\u002FDecorative Art

弗雷德里克·克拉斯父子(FREDERICK CRACE&SON,约1845年)创作的一张罕见的维多利亚时代早期伊丽莎白复兴时期的缎木、多色和镀金写字台-弗雷德里克·克雷斯;声音

英文名称:A RARE EARLY VICTORIAN ELIZABETHAN-REVIVAL SATINWOOD, POLYCHROME AND GILT WRITING-TABLE ATTRIBUTED TO FREDERICK CRACE & SON (ca. 1845)-Frederick Crace & Son

219. 佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视;女孩和女人通常只被视为性对象,而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特是一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上是女性。(2018年) by Jamil Hellu 高清作品[21%]

“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视;女孩和女人通常只被视为性对象,而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特是一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上是女性。(2018年)-Jamil灯

英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu