211. 文艺复兴时期创造力和科学成就的顶峰:带有机械痕迹的天球。(c1540-c1550) by Anonymous 高清作品[20%]

The culmination of Renaissance ingenuity and scientific achievement: Celestial sphere with traces of a mechanism. (c1540-c1550)

材质 :Celestial sphere, two large brass fretwork hemispheres joined at the equator with two sets of rings. The first set consists of five parallel horizontal rings representing the Equator, Tropics of Cancer and Capricorn, and both polar circles as well as vertical colures and meridians intersecting both poles and crossing the equator at 30 degrees. The second set consists of six rings intersecting the equatorial poles at an angle of 23.5 degrees – this angle would allow the now-missing inner terrestrial sphere to consistently point to the north and south equatorial poles of the celestial sphere. Placed atop this set of 17 rings are the 48 Ptolemaic constellations and two non-Ptolemaic ones. The Lynx (LE LYNX) located between the Great Bear and Leo and the constellation of Eridanus, depicted as a naked female figure, were both added later. The planetary symbols and series of stars up to five magnitudes are engraved on the figures of each constellation. The celestial sphere is mounted on a graduated brass meridian ring held in place by two recesses on the horizon ring. One face of the meridian is stamped with a scale of 360 degrees, and an hour-ring and index is mounted at the North Pole. A set of four brackets support the horizon ring with engraved acanthus leaf decoration and foliage, which terminate in scrolls with a pierced opening holding a peg attached to the horizon. The upper face of the horizon features an inner scale of 360 degrees divided into 12 signs for the zodiac labelled in Latin and depicted with its symbol. An outer scale depicts the Julian calendar with the names of the months stamped in Roman capital letters. The first point of Aries coincides with the 11th of March. The 12 winds are engraved at the outer edge as blowing figures. The sphere is supported by a chased-brass circular base with four grotesque human figures amongst arabesque decoration. The sphere rests on a cylindrical marble stand with minor chips consistent with age. 尺寸 :86 × 33 × 33 cm Other

文艺复兴时期创造力和科学成就的顶峰:带有机械痕迹的天球。(c1540-c1550)-匿名的

英文名称:The culmination of Renaissance ingenuity and scientific achievement: Celestial sphere with traces of a mechanism. (c1540-c1550)-Anonymous

214. 文艺复兴时期绘画的细节(桑德罗·波提切利,1482年维纳斯的诞生),1984年 by Andy Warhol 高清作品[20%]

Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus 1482), 1984

材质 :Portfolio of four screenprints on Arches Aquarelle (Cold Pressed) paper 尺寸 :81.3 × 111.8 cm Print

图片文件尺寸 : 5630 x 4332px

文艺复兴时期绘画的细节(桑德罗·波提切利,1482年维纳斯的诞生),1984年-安迪·沃霍尔。(American, 1928–1987)

英文名称:Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus 1482), 1984-Andy Warhol

216. 弗兰兹·阿尔特,秋季拍卖` by Franz Alt 高清作品[20%]

DO-Franz Alt - Herbstauktion
图片文件像素:4800 x 3400 px

弗兰兹·阿尔特,秋季拍卖-

-

(维也纳1821-1914)
瑞士弗莱堡市场广场视图,签名:弗兰兹阿尔特,地点标记和日期:弗里堡27号。1869年,和不透明白色纸,叶片尺寸约27.3 x 37.8厘米,右下角有小的修复斑点,上釉,镶框(SLS)

217. 秋季拍卖的梅尔·拉莫斯` by Mel Ramos 高清作品[20%]

DO-Mel Ramos - Herbstauktion
图片文件像素:4800 x 3400 px

秋季拍卖的梅尔·拉莫斯-

-

(萨克拉门托1935-2018奥克兰/加利福尼亚州)
Sonja Soup,选自系列:坎贝尔汤金发女郎,手签:梅尔·拉莫斯,编号:315/4502016,彩色胶印在固体纸上,单张大小打印约30 x 22.5厘米,·:汉堡LEVY Galerie,由柏林比勒菲尔德赫伯·韦拉格印刷,WVZ Hilger OL 5-16(SLS)

218. 卡尔·莫泽军,秋季拍卖` by Carl Moser jun. 高清作品[20%]

DO-Carl Moser jun. - Herbstauktion
图片文件像素:4800 x 3400 px

卡尔·莫泽军,秋季拍卖-

-

(Bolzano 1873-1939)
预期中,库存中的花押字:C.M.,1906/1914,日本软纸上的彩色木刻,印刷棒尺寸约为33.3 x 21.7厘米,纸张尺寸约为35.4 x 25.8厘米,印刷量为2。无波浪线、地平线和停机坪阴影的情况,发布为第二页第6页。莱比锡弗伦德美术馆Jahresgabe der Freunde Graphischer Kunst,1914年,原版路路通,印有出版商签名和页码,WVZ Kirschl HS 20 b,söhn HDO 51002-6(SLS)

219. 玛丽亚·拉斯尼格,春季拍卖` by Maria Lassnig 高清作品[20%]

DO-Maria Lassnig  - Frühlingsauktion
图片文件像素:4800 x 3400 px

玛丽亚·拉斯尼格,春季拍卖-

-

(卡佩尔,卡林西亚,1919-2014维也纳)
自画像,um 1974,手签:M Lassnig,编号:75/99,在Velin上进行箔式平版印刷,显示尺寸约为27.3 x 25.3厘米,叶片尺寸约为30.5 x 28厘米,WVZ Gross 30(SLS)Ruf 800