图片文件尺寸: 2040 x 3000px

小野小町参观清水寺，来自时尚的七个小町（Furyu nana Komachi）-ōbunsai Eishi

~ Ono no Komachi Visiting Kiyomizu Temple, from the series The Fashionable Seven Komachi (Furyu nana Komachi) (1788) --Chōbunsai Eishi (Japanese, 1756-1829)

图片文件尺寸: 2498 x 3508px

奥地利军官和两名蒂罗利人参观了位于下贝尔维德宫的安布拉斯藏品-小卡尔·戈贝尔

~ Österreichische Offiziere und zwei Tiroler besichtigen die Ambraser Sammlung im Unteren Belvedere (before 1880) --Carl Goebel the younger (奥地利艺术家, 1824-1899)

材质 :Ink on Hahnemulhe Paper 尺寸 :81 × 120 cm Drawing, Collage or other Work on Paper

Mt Murchison Ambiance#4（从发现的物品中提取的独特国家印花）（2011年）-从我这里

英文名称:Mt Murchison Ambiance #4 (Unique State Print from a found object) (2011) | Available for Sale-Fran Ifould

材质 :Ink on Hahnemulhe Paper 尺寸 :81 × 120 cm Drawing, Collage or other Work on Paper

Mt Murchison Ambiance#3（从发现的物品中提取的独特国家印花）（2011年）-从我这里

英文名称:Mt Murchison Ambiance #3 (Unique State Print from a found object) (2011) | Available for Sale-Fran Ifould

图片文件尺寸: 6993 x 8313px

国家的囚犯-伊斯特曼·约翰逊

` A Prisoner Of The State (1874) --Eastman Johnson (美国艺术家, 1824-1906)

图片文件尺寸: 6800×5070 px

圣迭戈上空的国家-莫里斯·布劳恩

-Country above San Diego (Oil on Canvas), by Maurice Braun

材质 :Archival pigment print 尺寸 :100 × 212.1 cm Photography

残骸上的残骸（大都会艺术博物馆）（2021年）-奥里·格什(Israeli, b. 1967)

英文名称:Wreckage Upon Wreckage (Metropolitan Museum of Art) (2021) | Available for Sale-Ori Gersht

材质 :Infused dyes sublimated on aluminum 尺寸 :152.4 × 127 cm Photography

纽约大都会博物馆的弗朗西斯·培根（1975年）-哈里·本森

英文名称:Francis Bacon at the Metropolitan Museum, NYC (1975) | Available for Sale-Harry Benson

图片文件尺寸: 2171 x 3000px

圣菲力普参观医院-雅克·斯特拉

` St. Philip visiting a hospital (1630) --Jacques Stella (法国艺术家, 1596 - 1657)

图片文件尺寸: 6394×8000 px

参观水族馆，水母-联邦艺术项目

-Poster promoting the Aquarium as a place to visit, showing Jellyfish.

Visit the Aquarium, Jellyfish (Poster), by Federal Art Project, WPA

The Federal Art Project (1935-1943) was a New Deal program to fund the visual arts in the United States. Under national director Holger Cahill, it was one of five Federal Project Number One projects sponsored by the Works Progress Administration (WPA), and the largest of the New Deal art projects. It was created not as a cultural activity, but as a relief measure to employ artists and artisans to create murals, easel paintings, sculpture, graphic art, posters, photography, theatre scenic design, and arts and crafts. The WPA Federal Art Project established more than 100 community art centers throughout the country, researched and documented 美国艺术家 design, commissioned a significant body of public art without restriction to content or subject matter, and sustained some 10,000 artists and craft workers during the Great Depression.