215. 哈姆雷特&;为什么看你!看看它如何悄悄溜走——就在门口&; 第三幕,第四场,哈姆雷特` Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) by Edwin Austin Abbey 高清作品[35%]

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Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) -

图片文件尺寸: 2039 x 2776px

哈姆雷特&;为什么看你!看看它如何悄悄溜走——就在门口&; 第三幕,第四场,哈姆雷特-埃德温·奥斯汀修道院

~ Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) --Edwin Austin Abbey (美国艺术家, 1852 - 1911)

216. 哈姆雷特;为什么看你!看看它如何悄悄溜走——就在门口; 第三幕,第四场,哈姆雷特` Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) by Edwin Austin Abbey 高清作品[35%]

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Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) -

图片文件尺寸: 2039 x 2776px

哈姆雷特;为什么看你!看看它如何悄悄溜走——就在门口; 第三幕,第四场,哈姆雷特-埃德温·奥斯汀修道院

~ Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) --Edwin Austin Abbey (美国艺术家, 1852 - 1911)

218. 斯芬克斯。。。我凝视,什么都不能改变,仍然在一个无法接近地平线上紧张地看着事情。我一个快乐女人` Le Sphynx…mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere – Moi, Je suis legere et joyeuse (1889) by 奥迪隆·雷东 高清作品[35%]


Le Sphynx…mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere – Moi, Je suis legere et joyeuse (1889) -

图片文件尺寸: 2520 x 4000px

斯芬克斯。。。我凝视,什么都不能改变,仍然在一个无法接近地平线上紧张地看着事情。我一个快乐女人-奥迪隆·雷登

Le Sphynx…mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere – Moi, Je suis legere et joyeuse (1889) --Odilon Redon (法国艺术家, 1840-1916)

220. 夏日色彩 - 7564×5002px 高清作品[34%]

AF4B980B84-Colors of Summer

图片文件尺寸 : 7564×5002 px

夏日色彩-Colors of Summer

-An oil painting of a landscape. It was inspired from a picture I took in Saint-Hubert, Quebec, Canada.

To provide with the best quality reproduction this painting was photographed by a professional photographer. He creates reproduction-quality digital files by direct capture, using a state-of-the-art 50 megapixel Hasselblad H5D camera.