James Brown, Pantheon (Pictures of Ink)-Vik-Muniz
（詹姆斯·布朗，万神殿（墨水图片）-维克·穆尼兹）
212.
合成图片模特（SOJKA 97-108） - 特里-温特斯- 高清作品[20%]
MODELS FOR SYNTHETIC PICTURES (SOJKA 97-108)-TERRY-WINTERS-
（合成图片模特（SOJKA 97-108）-特里-温特斯-）
213.
阿拉伯图片（1959） by Jane Eccles 高清作品[20%]
材质 :Oil/Canvas 尺寸 :152.4 × 152.4 × 61 cm Painting
阿拉伯图片（1959）-简·埃克尔斯
英文名称:Image of Arabia (1959) | Available for Sale-Jane Eccles
214.
《图片报》（1994） by Matthias Maaß 高清作品[20%]
材质 :Ink on paper 尺寸 :80 × 60 cm Drawing, Collage or other Work on Paper
《图片报》（1994）-马蒂亚斯·马阿
英文名称:Das 1000-Figuren-Bild (1994) | Available for Sale-Matthias Maaß
215.
小图片不寻常（1962） by Jaap Wagemaker 高清作品[20%]
材质 :Mixed media on plywood panel 尺寸 :55 × 47.5 cm Painting
小图片不寻常（1962）-Jaap赌徒
英文名称:Petite image insolite (1962) | Available for Sale-Jaap Wagemaker
216.
Alice Mak@McDull Artroom，春季3，麦兜书法 - 麥家碧@麥兜美術室，巧月春麥兜臨王羲之草書 高清作品[20%]
Alice Mak @ McDull Artroom, Spring 3, Mcdull calligraphy-麥家碧@麥兜美術室，巧月春麥兜臨王羲之草書
（Alice Mak@McDull Artroom，春季3，麦兜书法-麥家碧@麥兜美術室，巧月春麥兜臨王羲之草書）
217.
奈良海报（8张海报）B3/B2尺寸，2012年 by Yoshitomo Nara 高清作品[20%]
材质 :This work is from an edition of unknown size. 尺寸 :About the work Posters
图片文件尺寸 : 5630 x 4332px
奈良海报（8张海报）B3/B2尺寸，2012年-奈良吉友(Japanese, b. 1959)
英文名称:Nara Posters (8 posters) B3/B2 size, 2012-Yoshitomo Nara
218.
法国啤酒厂海报草图（法国啤酒厂海报草图） - 瓦西里-康定斯基 高清作品[20%]
Entwurf für eine Affiche einer franzosischen Brauerei (Sketch for a Poster for a French Brewery)-WASSILY-KANDINSKY
（法国啤酒厂海报草图（法国啤酒厂海报草图）-瓦西里-康定斯基）
219.
书法＃2椅子上的女人`
Calligraphic #2 Woman on Chair (1914~1918) by Henry Lyman Saÿen 高清作品[19%]
图片文件尺寸: 3090 x 2180px
书法＃2椅子上的女人-亨利莱曼Saïen.
` Calligraphic #2 Woman on Chair (1914`1918) --Henry Lyman Saÿen (美国艺术家, 1875-1918)
220.
恩索画圈，书法，挂卷轴，大正时代`Enso Circle with Calligraphy, Hanging Scroll, Taisho era by Nakahara Nantembo 高清作品[19%]
图片文件尺寸: 8500×5087 px
恩索画圈，书法，挂卷轴，大正时代-中原南登博
-Ensō is a Japanese word meaning circle and a concept strongly associated with Zen. Ensō is one of the most popular subjects of Japanese calligraphy even though it is a symbol and not a character. It symbolises the Absolute, enlightenment, strength, elegance, the Universe, and the void; it can also symbolise the Japanese aesthetic itself. As an ‘expression of the moment’ it is often considered a form of minimalist expressionist art.
In Zen Buddhist painting, ensō represents a moment when the mind is free to simply let the spirit create. The brushed ink of the circle is usually done on silk or paper in one movement (but sometimes the great Bankei used two strokes) and there is no possibility of modification: it shows the expressive movement of the spirit at that time. Zen Buddhists believe that the character of the artist is fully exposed in how he or she draws an ensō. Only a person who is mentally and spiritually complete can draw a true ensō. Achieving the perfect circle, be it a full moon or an ensō is said to be The Moment of Enlightenment.
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