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这位女士和独角兽，看-老主人

-The Lady and the Unicorn is the modern title given to a series of six tapestries created in the style of mille-fleurs (meaning: \"thousand flowers\") and woven in Flanders from wool and silk, from designs (\"cartoons\") drawn in Paris around 1500.
The lady is seated, holding a mirror up in her right hand. The unicorn kneels on the ground, with his front legs in the lady\'s lap, from which he gazes at his reflection in the mirror. The lion on the left holds up a pennant.

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这位艺术家在缅因州沙漠山素描

-Sanford Robinson Gifford (美国艺术家, 1823 - 1880 ), The Artist Sketching at Mount Desert, Maine, 1864-1865, oil on canvas, Gift of Jo Ann and Julian Ganz, Jr. in honor of John Wilmerding

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这位艺术家粉刷教堂-埃德温·霍兰德·布拉什菲尔德

~ The Artist Paints the Church (1870) --Edwin Howland Blashfield (美国艺术家, 1848 - 1936)

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这位艺术家模仿女性裸体-和让·图洛普

~ Kunstenares werkt naar vrouwelijk naaktmodel (1901) --Jan Toorop (荷兰艺术家, 1858-1928)

SELF-PORTRAIT OF THE ARTIST, HALF-LENGTH, WEARING A RUFF AND A BLACK HAT-REMBRANDT-HARMENSZ.-VAN-RIJN--
（这位艺术家的自画像，半身，戴着一个褶边和一顶黑帽子-伦勃朗-哈门斯。范瑞恩--）

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图拉，这位艺术家的孙子，1913年-克里斯蒂安·克罗赫

-Christian Krohg (1852-1925) was a 挪威艺术家 naturalist painter, illustrator, author and journalist. Krohg was inspired by the realism art movement and often chose motifs from everyday life.

Tulla, the Artist\'s Grandchild, 1913 (Oil on Canvas), by Christian Krohg

材质 :Mahogany veneers on an oak ground to the case. Brass, iron and steel to the movement 尺寸 :67 × 40 × 20 cm Design\\\\u002FDecorative Art

由这位著名的伦敦制造商制作的乔治三世时期的精美红木挂钟（约1780年）-弗朗西斯·佩里加尔

英文名称:A fine George III period mahogany hooded wall clock by this eminent London maker (ca. 1780)-Francis Perigal

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这位艺术家的母亲和兄弟-古斯塔夫·温策尔

-Gustav Wentzel

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人体成分测量中的生物电阻抗分析-美国国立卫生研究院

` Bioelectrical impedance analysis in body composition measurement (1994) --National Institutes of Health (美国艺术家, 1887-)

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这位思想家于1880年出演，1910年出演-奥古斯特·罗丁

-François Auguste René Rodin (1840–1917) was a 法国艺术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
Rodin originally conceived The Thinker as a depiction of the Italian poet Dante Alighieri (1265–1321) sitting in the upper center of a monumental sculptural doorway titled The Gates of Hell (below). Inspired by Dante’s description of a journey through the underworld in his epic poem The Divine Comedy (about 1320), The Thinker contemplates mankind’s fate while gazing at a host of damned figures writhing in anguish below. Stripped of clothing, the figure’s rippling muscles convey an inner, animating life force symbolic of mental activity or creative effort. The figure leans forward, as if ready to spring from his perch, yet seems simultaneously caught in the inaction of deep thought. Rodin produced independent versions of The Thinker, first in this original size and later in a monumental version.