201. 一位女士肖像,传统上玛丽·沃特利·蒙塔古女士(1689-1762)` Portrait Of A Lady, Traditionally Identified As Lady Mary Wortley Montagu (1689–1762) by Sir Godfrey Kneller 高清作品[28%]

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Portrait Of A Lady, Traditionally Identified As Lady Mary Wortley Montagu (1689–1762)-

图片文件尺寸: 3423 x 4415px

一位女士肖像,传统上玛丽·沃特利·蒙塔古女士(1689-1762)-戈弗雷·克内尔爵士

~ Portrait Of A Lady, Traditionally Identified As Lady Mary Wortley Montagu (1689–1762)--Sir Godfrey Kneller (English, 1646 - 1723)

202. 圣艾格尼斯女性肖像,传统上凯瑟琳·沃斯` Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss (between 1705 and 1710) by Sir Godfrey Kneller 高清作品[28%]

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Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss (between 1705 and 1710) -

图片文件尺寸: 2505 x 3000px

圣艾格尼斯女性肖像,传统上凯瑟琳·沃斯-戈弗雷·克内尔爵士

~ Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss (between 1705 and 1710) --Sir Godfrey Kneller (English, 1646 - 1723)

203. 一位绅士肖像,传统上第四代克拉文伯爵富瓦尔,在他猎人身上` Portrait of a Gentleman, Traditionally Identified As Fulwar, 4th Earl of Craven, On His Hunter by James Seymour 高清作品[28%]

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Portrait of a Gentleman, Traditionally Identified As Fulwar, 4th Earl of Craven, On His Hunter-

图片文件尺寸: 4000 x 3023px

一位绅士肖像,传统上第四代克拉文伯爵富瓦尔,在他猎人身上-詹姆斯·西摩

~ Portrait of a Gentleman, Traditionally Identified As Fulwar, 4th Earl of Craven, On His Hunter--James Seymour (English, 1697-1752)

206. 大厅设计感官品味雕像,旁边一个女人和一只带水果鹦鹉` Ontwerp voor een zaalstuk; standbeeld van zintuig Smaak, daarnaast een vrouw en papegaai met vruchten (1715 ~ 1798) by Dionys van Nijmegen 高清作品[28%]

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Ontwerp voor een zaalstuk; standbeeld van zintuig Smaak, daarnaast een vrouw en papegaai met vruchten (1715 ~ 1798) -

图片文件尺寸: 2460 x 6232px

大厅设计感官品味雕像,旁边一个女人和一只带水果鹦鹉-戴奥尼斯·范·奈梅根

~ Ontwerp voor een zaalstuk; standbeeld van zintuig Smaak, daarnaast een vrouw en papegaai met vruchten (1715 ~ 1798) --Dionys van Nijmegen (荷兰艺术家, 1705-1798)

209. 佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛马匹世界如此可怕性别歧视;女孩和女人通常只性对象,而不天才骑手和训练员。”惠特尼灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)故事。在淘金热期间,帕克赫斯特一名著名驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上女性。(2018年) by Jamil Hellu 高清作品[28%]

“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛马匹世界如此可怕性别歧视;女孩和女人通常只性对象,而不天才骑手和训练员。”惠特尼灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)故事。在淘金热期间,帕克赫斯特一名著名驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上女性。(2018年)-Jamil灯

英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu

210. 海洋画家展览。。。法国海军联盟。。。动员起来海员救济委员会` Exposition des peintres de la mer . . . á la Ligue Navale française . . . au profit des Comités de Secours aux Marins Mobilisés (1917) by André Verdilhan 高清作品[28%]

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Exposition des peintres de la mer . . . á la Ligue Navale française . . . au profit des Comités de Secours aux Marins Mobilisés (1917) -

图片文件尺寸: 3677 x 2394px

海洋画家展览。。。法国海军联盟。。。动员起来海员救济委员会-安德烈·威尔迪汉

~ Exposition des peintres de la mer . . . á la Ligue Navale française . . . au profit des Comités de Secours aux Marins Mobilisés (1917) --André Verdilhan (法国艺术家, 1881-1963)