201. 不管你的一线工作什么,这都你的二线工作。帮帮这片土地` Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) by William Showell 高清作品[17%]

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Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) -

图片文件尺寸: 2661 x 3300px

不管你的一线工作什么,这都你的二线工作。帮帮这片土地-威廉·肖威尔

~ Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) --William Showell

202. 纸飞机的灵感来源于20世纪初一名囚犯写的一封信,这封信从监狱牢房的窗户扔出来的。。。,《摄影与空花瓶的共同点》(2019年)系列中有哪些 by Edgar Martins 高清作品[17%]

Paper plane inspired on a letter written by an inmate in the early 1900s, which was thrown from a prison cell window..., from the series What photography has in Common with an Empty Vase (2019) | Available for Sale

材质 :C-print mounted on aluminium 尺寸 :60 × 47 cm Photography

纸飞机的灵感来源于20世纪初一名囚犯写的一封信,这封信从监狱牢房的窗户扔出来的。。。,《摄影与空花瓶的共同点》(2019年)系列中有哪些-埃德加·马丁斯(Portuguese, b. 1977)

英文名称:Paper plane inspired on a letter written by an inmate in the early 1900s, which was thrown from a prison cell window..., from the series What photography has in Common with an Empty Vase (2019) | Available for Sale-Edgar Martins

203. 这部电影牛仔汤姆的特技表演。他讲故事的方式,以及他真正做了什么。` The Moving Picture Cowboy Tom Mix doing stunts. The way he told the story, and what he really did. (1914) by Goes Litho. Co. 高清作品[17%]

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The Moving Picture Cowboy Tom Mix doing stunts. The way he told the story, and what he really did. (1914) -

图片文件尺寸: 5545 x 10519px

这部电影牛仔汤姆的特技表演。他讲故事的方式,以及他真正做了什么。-去石像馆。有限公司。

~ The Moving Picture Cowboy Tom Mix doing stunts. The way he told the story, and what he really did. (1914) --Goes Litho. Co.

205. 哈姆雷特&;为什么看你!看看它如何悄悄溜走的——就在门口&; 第三幕,第四场,哈姆雷特` Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) by Edwin Austin Abbey 高清作品[17%]

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Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) -

图片文件尺寸: 2039 x 2776px

哈姆雷特&;为什么看你!看看它如何悄悄溜走的——就在门口&; 第三幕,第四场,哈姆雷特-埃德温·奥斯汀修道院

~ Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) --Edwin Austin Abbey (美国艺术家, 1852 - 1911)

206. 哈姆雷特;为什么看你!看看它如何悄悄溜走的——就在门口; 第三幕,第四场,哈姆雷特` Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) by Edwin Austin Abbey 高清作品[17%]

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Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) -

图片文件尺寸: 2039 x 2776px

哈姆雷特;为什么看你!看看它如何悄悄溜走的——就在门口; 第三幕,第四场,哈姆雷特-埃德温·奥斯汀修道院

~ Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) --Edwin Austin Abbey (美国艺术家, 1852 - 1911)

207. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚最伟大的作品。` Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) by Strobridge and Co 高清作品[16%]

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Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) -

图片文件尺寸: 2374 x 3567px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚最伟大的作品。-斯特罗布里奇公司。

~ Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) --Strobridge and Co (美国艺术家, 1910-1954)

208. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚最伟大的作品。` Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) by Strobridge and Co 高清作品[16%]

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Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) -

图片文件尺寸: 2374 x 3567px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚最伟大的作品。-斯特罗布里奇公司。

~ Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) --Strobridge and Co (美国艺术家, 1910-1954)

209. 一套四张的展览海报,分别小津、Cinobio Group和ZERO Group先锋派。罗丝·弗里德画廊的小琴海报,1966b。di fontana工作室的ZERO Group海报,1965c。马可尼工作室的小琴海报,1967年(两件作品)d.Cinobio集团海报,1967年 - 各种各样的艺术家 高清作品[16%]

A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967

  • Various Artists
  • A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967
  • posters printed in colours
  • A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967-VARIOUS-ARTISTS
    (一套四张的展览海报,分别小津、Cinobio Group和ZERO Group先锋派。罗丝·弗里德画廊的小琴海报,1966b。di fontana工作室的ZERO Group海报,1965c。马可尼工作室的小琴海报,1967年(两件作品)d.Cinobio集团海报,1967年-各种各样的艺术家)

    210. 斯芬克斯。。。我的凝视,什么都不能改变,仍然在一个无法接近的地平线上紧张地看着事情。我一个快乐的女人` Le Sphynx…mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere – Moi, Je suis legere et joyeuse (1889) by 奥迪隆·雷东 高清作品[15%]

    
Le Sphynx…mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere – Moi, Je suis legere et joyeuse (1889) -

    图片文件尺寸: 2520 x 4000px

    斯芬克斯。。。我的凝视,什么都不能改变,仍然在一个无法接近的地平线上紧张地看着事情。我一个快乐的女人-奥迪隆·雷登

    Le Sphynx…mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere – Moi, Je suis legere et joyeuse (1889) --Odilon Redon (法国艺术家, 1840-1916)