203. 红色起源(2020年,作为她艺术实践延伸,马库斯接受了导乐培训——一个致力于在分娩、堕胎或流产之前、期间和之后提供支持人——以便为有需要妇女提供无偿服务。美国世界上唯一一个拥有大量孕产妇发病率统计数据发达国家。(2021年) by Rose Marcus 高清作品[30%]

Red Origin (In 2020, as an extension of her art practice, Marcus trained as a doula – a person dedicated to providing support before, during, and after childbirth, abortion, or miscarriage – in order to provide pro bono services to women in need. The United States is the only developed country in the world with significant maternal morbidity statistics.   (2021) | Available for Sale

材质 :Print on vinyl with no white ink adhered to architectural glass, brackets 尺寸 :182.9 × 121.9 cm Mixed Media

红色起源(2020年,作为她艺术实践延伸,马库斯接受了导乐培训——一个致力于在分娩、堕胎或流产之前、期间和之后提供支持人——以便为有需要妇女提供无偿服务。美国世界上唯一一个拥有大量孕产妇发病率统计数据发达国家。(2021年)-罗斯·马库斯(American, b. 1982)

英文名称:Red Origin (In 2020, as an extension of her art practice, Marcus trained as a doula – a person dedicated to providing support before, during, and after childbirth, abortion, or miscarriage – in order to provide pro bono services to women in need. The United States is the only developed country in the world with significant maternal morbidity statistics. (2021) | Available for Sale-Rose Marcus

209. 这最蓝形态,这片海洋,在这无月之夜最黑暗时刻,被褐色地球运动和夜间变化唤醒,最微小看不见生物,可见生物,像信使一样在人们身上翻滚,他们知道更多什么,在下面,看不见 by Rina Banerjee 高清作品[30%]

This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018

材质 :Wood panel, acrylic, sequin, marbled and Batik paper, cow horn, thread, copper nails, silver leaf 尺寸 :101.6 × 50.8 × 3.8 cm Painting

图片文件尺寸 : 5630 x 4332px

这最蓝形态,这片海洋,在这无月之夜最黑暗时刻,被褐色地球运动和夜间变化唤醒,最微小看不见生物,可见生物,像信使一样在人们身上翻滚,他们知道更多什么,在下面,看不见-班尼杰(Indian, b. 1963)

英文名称:This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018-Rina Banerjee