201. 这最蓝的形态，这片海洋，在这无月之夜最黑暗的时刻，被褐色的地球运动和夜间的变化唤醒，最微小的看不见的生物，可见的生物，像信使一样在人们身上翻滚，他们知道更多的是什么，在下面，看不见的 by Rina Banerjee 高清作品[34%]

This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018

材质 :Wood panel, acrylic, sequin, marbled and Batik paper, cow horn, thread, copper nails, silver leaf 尺寸 :101.6 × 50.8 × 3.8 cm Painting

图片文件尺寸 : 5630 x 4332px

这最蓝的形态，这片海洋，在这无月之夜最黑暗的时刻，被褐色的地球运动和夜间的变化唤醒，最微小的看不见的生物，可见的生物，像信使一样在人们身上翻滚，他们知道更多的是什么，在下面，看不见的-班尼杰(Indian, b. 1963)

英文名称:This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018-Rina Banerjee

202. 他曾在悉尼的大多数商业画廊工作过，在仓库的后面发现过几次，但在2000，他告诉我这并不奇怪，这只是Margaret Olley和Vivienne Binns在他的手机画上的照片，而不是他周围的废话，2021。 by Dale Frank 高清作品[34%]

He has worked for most of the commercial galleries in Sydney and has been found more than a few times masterbating in the back of stockrooms but in 2000 he told me it was not weird, it was only to pictures on his phone of paintings by Margaret Olley and Vivienne Binns, not the crap around him, 2021

材质 :Colour pigments in easycast resin, epoxyglass, on Perspex 尺寸 :200 × 180 cm Painting

图片文件尺寸 : 5630 x 4332px

他曾在悉尼的大多数商业画廊工作过，在仓库的后面发现过几次，但在2000，他告诉我这并不奇怪，这只是Margaret Olley和Vivienne Binns在他的手机画上的照片，而不是他周围的废话，2021。-戴尔·弗兰克(Australian, b. 1959)

英文名称:He has worked for most of the commercial galleries in Sydney and has been found more than a few times masterbating in the back of stockrooms but in 2000 he told me it was not weird, it was only to pictures on his phone of paintings by Margaret Olley and Vivienne Binns, not the crap around him, 2021-Dale Frank

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