材质 :Oil on linen 尺寸 :66 × 44.5 cm Painting
2021,达科他州外的约翰和洋子(以艾伦·坦尼鲍姆的名字命名)-基思·迈尔森()
英文名称:John and Yoko outside the Dakota (after Allan Tannebaum), 2021-Keith Mayerson
材质 :Oculus Rift virtual reality headset, Unity 3D forest scan, motion capture technology, and custom ceiling grid. 尺寸 :About the work Other
幻影(所有动物和所有野兽的王国是我的名字)(2014-2015)-丹尼尔·斯特格曼·曼格朗(Spanish, b. 1977)
英文名称:Phantom (Kingdom of all the animals and all the beasts is my name) (2014-2015)-Daniel Steegmann Mangrané
材质 :4 Channel Expanded Film Installation Synchronised Full HD (4:3), Colour, 8 Channel Sound 4 Neon Lights: red, green and blue 19 min (x4) Featuring Nuno Lopes 尺寸 :Carlos Carvalho- Arte Contemporanea Video\\\\u002FFilm\\\\u002FAnimation
我们已经没有风暴的名字了#2。2018年(2019年)Culturegest Porto的安装视图-塔蒂亚娜·马塞多(Portuguese, b. 1981)
英文名称:We Have Run Out of Names for the Storms #2. Installation Views at Culturgest Porto, 2018 (2019)-Tatiana Macedo
Jazzy Jay’s Roland TR-727 Software Rhythm Composer, programmed by Jazzy Jay on 12” Version of LL Cool J;s “Rock the Bells” (1985, produced by Rick Rubin) and lent by Jazzy Jay to Rick Rubin for production on the Beastie Boys’ “Hold it, Now Hit It” (1986) from their debut album Licensed to Ill-[Jazzy-Jay]
(Jazzy Jay的罗兰TR-727软件节奏合成器,由Jazzy Jay在12“版本的LL Cool J上编程;《摇滚钟声》(1985年,由里克·鲁宾制作)由爵士杰伊借给里克·鲁宾,用于制作《Beastie男孩》的首张专辑《Hold it,Now Hit it》(1986年),该专辑由Ill授权发行-[爵士杰伊])
材质 :Oil, acrylic, and silkscreen on canvas; plants 尺寸 :About the work Painting
《草地上的午餐:在我意识到奥德琳对她的话赋予了不同的含义(2017)之前,我是如何认为奥德琳想让我给她画画的-菲尔·拉博夫斯基
英文名称:Luncheon on the Grass: How I Thought Audrine Wanted Me to Paint Her Before I Realized She Attached Different Meanings to Her Words (2017) | Available for Sale-Phil Rabovsky