202. 表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治法律限制的指控。(2019-2020) by Susy Gómez 高清作品[20%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez

203. 新泽西州伊丽莎白市滚轴溜冰场的拟定处理方法[royal scheme墙壁立面图]` Proposed treatment for roller rink, Elizabeth, N.J.] [Wall elevations, royal scheme (1941) by Winold Reiss 高清作品[20%]

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Proposed treatment for roller rink, Elizabeth, N.J.] [Wall elevations, royal scheme (1941) -

图片文件尺寸: 13310 x 8712px

新泽西州伊丽莎白市滚轴溜冰场的拟定处理方法[royal scheme墙壁立面图]-温诺德赖斯

~ Proposed treatment for roller rink, Elizabeth, N.J.] [Wall elevations, royal scheme (1941) --Winold Reiss (美国艺术家, 1886-1953)

204. 新泽西州伊丽莎白市滚轴溜冰场的拟定处理方法][墙立面图,阿尔卑斯方案` Proposed treatment for roller rink, Elizabeth, N.J.] [Wall elevations, alpine scheme (1941) by Winold Reiss 高清作品[20%]

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Proposed treatment for roller rink, Elizabeth, N.J.] [Wall elevations, alpine scheme (1941) -

图片文件尺寸: 13048 x 8725px

新泽西州伊丽莎白市滚轴溜冰场的拟定处理方法][墙立面图,阿尔卑斯方案-温诺德赖斯

~ Proposed treatment for roller rink, Elizabeth, N.J.] [Wall elevations, alpine scheme (1941) --Winold Reiss (美国艺术家, 1886-1953)

205. 泰勒马科斯牧羊人尤马约·奥德修斯相遇,奥德修斯伪装成乞丐整个作品的片段。` Telemachos møder Odysseus forklædt som tigger hos hyrden Eumaios – Odysseus; fragment af hele kompositionen. (1812 – 1811) by Christoffer Wilhelm Eckersberg 高清作品[20%]

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Telemachos møder Odysseus forklædt som tigger hos hyrden Eumaios – Odysseus; fragment af hele kompositionen. (1812 – 1811) -

图片文件尺寸: 2687 x 4565px

泰勒马科斯牧羊人尤马约·奥德修斯相遇,奥德修斯伪装成乞丐整个作品的片段。-克里斯托弗·威廉·埃克斯伯格

~ Telemachos møder Odysseus forklædt som tigger hos hyrden Eumaios – Odysseus; fragment af hele kompositionen. (1812 – 1811) --Christoffer Wilhelm Eckersberg (丹麦画家, 1783 – 1853)

206. 这部作品展示了耶稣基督与圣母玛利亚传福音的圣约翰一起被钉在十字架上。` La obra muestra a Jesucristo crucificado junto a la Virgen María y San Juan Evangelista (1573) by Antonis Mor 高清作品[20%]

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La obra muestra a Jesucristo crucificado junto a la Virgen María y San Juan Evangelista (1573) -

图片文件尺寸 : 1701 x 2556px

这部作品展示了耶稣基督与圣母玛利亚传福音的圣约翰一起被钉在十字架上。-安东尼斯·莫尔

~ La obra muestra a Jesucristo crucificado junto a la Virgen María y San Juan Evangelista (1573) --Antonis Mor (Dutch, c. 1517 – 1577)

207. 讽刺作品。马尔切夫斯基、维茨科夫斯基阿克森托维奇的漫画,基于一幅画` Satires. A caricature of Malczewski, Wyczółkowski and Axentowicz based on a drawing by Jacek Malczewski (1906) by Jacek Malczewski by Jacek Malczewski 高清作品[20%]

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Satires. A caricature of Malczewski, Wyczółkowski and Axentowicz based on a drawing by Jacek Malczewski (1906) -

图片文件尺寸: 2399 x 4000px

讽刺作品。马尔切夫斯基、维茨科夫斯基阿克森托维奇的漫画,基于一幅画-Jacek Malczewski作者:Jacek Malczewski

~ Satires. A caricature of Malczewski, Wyczółkowski and Axentowicz based on a drawing by Jacek Malczewski (1906) --Jacek Malczewski (波兰画家, 1854–1929)

208. 纽约州纽约市第79街朗尚餐厅设计。][餐厅前面的拟议处理方法]` Design for Longchamps Restaurant, 79th St., New York, NY.] [Proposed treatment for front of restaurant (1943) by Winold Reiss 高清作品[19%]

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Design for Longchamps Restaurant, 79th St., New York, NY.] [Proposed treatment for front of restaurant (1943) -

图片文件尺寸: 15024 x 7008px

纽约州纽约市第79街朗尚餐厅设计。][餐厅前面的拟议处理方法]-温诺德赖斯

~ Design for Longchamps Restaurant, 79th St., New York, NY.] [Proposed treatment for front of restaurant (1943) --Winold Reiss (美国艺术家, 1886-1953)

209. 一套四张的展览海报,分别是小津、Cinobio GroupZERO Group先锋派。罗丝·弗里德画廊的小琴海报,1966b。di fontana工作室的ZERO Group海报,1965c。马可尼工作室的小琴海报,1967年(两件作品)d.Cinobio集团海报,1967年 - 各种各样的艺术家 高清作品[19%]

A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967

  • Various Artists
  • A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967
  • posters printed in colours
  • A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967-VARIOUS-ARTISTS
    (一套四张的展览海报,分别是小津、Cinobio GroupZERO Group先锋派。罗丝·弗里德画廊的小琴海报,1966b。di fontana工作室的ZERO Group海报,1965c。马可尼工作室的小琴海报,1967年(两件作品)d.Cinobio集团海报,1967年-各种各样的艺术家)