202. 2021,铁幕、室内设计和遭遇极端,或者,一项关于如何在墙体倒塌后根据国家意识形态装置平均平方英尺变成灯泡人类技术水平考古学 by objet A.D 高清作品[25%]

Iron Curtains, Interior Designs, and the Extremities of the Encounter—or, a Horizontal Archaeology of Human Technologies of How to Change to a Light Bulb Based On The Average Square Footage Of State Ideological Apparatuses After The Fall Of A Wall, 2021

材质 :Charcoal and Oil-stick on Paper 尺寸 :35.6 × 27.9 cm Drawing, Collage or other Work on Paper

2021,铁幕、室内设计和遭遇极端,或者,一项关于如何在墙体倒塌后根据国家意识形态装置平均平方英尺变成灯泡人类技术水平考古学-目标A.D()

英文名称:Iron Curtains, Interior Designs, and the Extremities of the Encounter—or, a Horizontal Archaeology of Human Technologies of How to Change to a Light Bulb Based On The Average Square Footage Of State Ideological Apparatuses After The Fall Of A Wall, 2021-objet A.D

205. 没有怜悯美丽女士,没有怜悯美丽女士`La Belle Dame Sans Merci, The Beautiful Lady Without Mercy by Walter Crane 高清作品[25%]

AF-La Belle Dame Sans Merci, The Beautiful Lady Without Mercy

图片文件尺寸: 4500×3645 px

没有怜悯美丽女士,没有怜悯美丽女士-沃尔特·克兰

-Walter Crane (1845-1915) was an English artist and book illustrator.

\"La Belle Dame sans Merci\" (\"The Beautiful Lady Without Mercy\") is a ballad produced by the English poet John Keats in 1819. The title was derived from the title of a 15th-century poem by Alain Chartier called La Belle Dame sans Mercy.

The poem is about a fairy who condemns a knight to an unpleasant fate after she seduces him with her eyes and singing. The fairy inspired several artists to paint images that became early examples of 19th-century femme fatale iconography.

La Belle Dame Sans Merci, The Beautiful Lady Without Mercy, 1865 (Oil on Canvas), by

207. 美丽心》,1996年 by Jim Dine 高清作品[25%]

A Beautiful Heart, 1996

材质 :Aquatinte & eau-forte / Aquatint and etching 尺寸 :78.7 × 63.5 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

美丽心》,1996年-吉姆·戴恩(American, b. 1935)

英文名称:A Beautiful Heart, 1996-Jim Dine