材质 :Etching 尺寸 :65 × 50.5 cm Print
图片文件尺寸 : 5630 x 4332px
参孙和达利拉的“著名情人”,1979年-安德烈·马森(French, 1896–1987)
英文名称:Samson et Dalila des \"Amants Célèbres\", 1979-André Masson
材质 :Oculus Rift virtual reality headset, Unity 3D forest scan, motion capture technology, and custom ceiling grid. 尺寸 :About the work Other
幻影(所有动物和所有野兽的王国是我的名字)(2014-2015)-丹尼尔·斯特格曼·曼格朗(Spanish, b. 1977)
英文名称:Phantom (Kingdom of all the animals and all the beasts is my name) (2014-2015)-Daniel Steegmann Mangrané
材质 :4 Channel Expanded Film Installation Synchronised Full HD (4:3), Colour, 8 Channel Sound 4 Neon Lights: red, green and blue 19 min (x4) Featuring Nuno Lopes 尺寸 :Carlos Carvalho- Arte Contemporanea Video\\\\u002FFilm\\\\u002FAnimation
我们已经没有风暴的名字了#2。2018年(2019年)Culturegest Porto的安装视图-塔蒂亚娜·马塞多(Portuguese, b. 1981)
英文名称:We Have Run Out of Names for the Storms #2. Installation Views at Culturgest Porto, 2018 (2019)-Tatiana Macedo
图片文件尺寸: 1798×4200 px
图内拉的入口-雨果·辛伯格
-Hugo Simberg dealt with the subject of death in many different ways. This oil painting The Entrance to Tuonela depicts figures of skeletons, which Simberg often used as the heralds of death or, here also as ferrymen to the Underworld. The River of Tuonela (the Underworld in Finnish mythology) has been crossed, and departed persons of various ages are being escorted to the realm of the dead. Some make the journey on their own, reconciled to their fate. A dog, too, is being taken to the other side in the arms of a skeleton. In Simberg’s work, death is often portrayed as friendly and sympathetic – sometimes even pathetic. Death is an integral, natural part of life. Even so, here the artist has painted the way to Tuonela as bare and barren.