Almond Blossom, after van Gogh (from Pictures of Magazines)-Vik-Muniz
（《杏花》，梵高之后（摘自杂志图片）-维克·穆尼兹）

Oakland Image-Richard-Diebenkorn
（奥克兰图片-理查德·迪本肯）

材质 :Milled maple in six parts, lacquer 尺寸 :About the work Sculpture

《图片报》（1997）-路易斯·雅各布

英文名称:The BILTS (1997)-Luis Jacob

材质 :Acrylic, Wool on Canvas 尺寸 :100.3 × 119.4 cm Painting

握把图片（2019）-临时目录

英文名称:Picture of a Grip (2019) | Available for Sale-Iqi Qoror

图片文件尺寸 : 5400×7200 px

法国植物图片IIi-Graphic French Botanical IIi

图片文件尺寸 : 3600×3600 px

万圣节图片2-Graphic Halloween II

图片文件尺寸 : 5400×5400 px

热带鸟类图片IIi-Graphic Tropical Bird IIi

图片文件尺寸: 2229 x 3465px

在钢琴旁-卡尔·拉森

~ At the Piano (1900) --Carl Larsson (Swedish, 1853-1919)

图片文件尺寸: 6504 x 4174px

在钢琴旁-希欧多尔·罗宾森

~ At the Piano (1887) --Theodore Robinson (美国艺术家, 1852-1896)

图片文件尺寸: 6379×9000 px

左手，钢琴家-奥古斯特·罗丁

-François Auguste René Rodin (1840–1917) was a 法国艺术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
In 1900, the critic Gustave Kahn wrote, \"Rodin is the sculptor of hands, raging, tensed, arched, damned hands\". There is no doubt that Rodin attached more importance to this part of the body than any other. Fascinated by the expressive power of isolated hands, he studied them unceasingly, accumulating in his studio numerous studies in clay or plaster, in which the sensitivity of the modelling vies with the verisimilitude of the gesture.
Through hands, Rodin expresses the full range of human emotions, from anxiety to suffering, from resignation to despair. As revealing as the face, on their own they can sometimes symbolize a form of human activity, such as this Hand of a Pianist which seems to run over an imaginary keyboard with nervous energy.