191. 一对中国出口粉彩大烛台宫廷女像,清代雍正/乾隆年间,约1735年 - 一对中国出口玫瑰大烛台宫廷人物清朝雍正乾隆年间1735年左右 高清作品[12%]

A PAIR OF CHINESE EXPORT FAMILLE-ROSE LARGE CANDLESTICK FIGURES OF COURT LADIES, QING DYNASTY, YONGZHENG / QIANLONG PERIOD, CIRCA 1735-A-PAIR-OF-CHINESE-EXPORT-FAMILLE-ROSE-LARGE-CANDLESTICK-FIGURES-OF-COURT-LADIES-QING-DYNASTY-YONGZHENG- -QIANLONG-PERIOD-CIRCA-1735

A PAIR OF CHINESE EXPORT FAMILLE-ROSE LARGE CANDLESTICK FIGURES OF COURT LADIES, QING DYNASTY, YONGZHENG / QIANLONG PERIOD, CIRCA 1735-A-PAIR-OF-CHINESE-EXPORT-FAMILLE-ROSE-LARGE-CANDLESTICK-FIGURES-OF-COURT-LADIES-QING-DYNASTY-YONGZHENG- -QIANLONG-PERIOD-CIRCA-1735
(一对中国出口粉彩大烛台宫廷女像,清代雍正/乾隆年间,约1735年-一对中国出口玫瑰大烛台宫廷人物清朝雍正乾隆年间1735年左右)

199. 女士和独角兽,触摸一下`The Lady and the Unicorn, Touch by Old Master 高清作品[12%]

AF-The Lady and the Unicorn, Touch

图片文件尺寸: 4272×4500 px

女士和独角兽,触摸一下-老主人

-The Lady and the Unicorn is the modern title given to a series of six tapestries created in the style of mille-fleurs (meaning: \"thousand flowers\") and woven in Flanders from wool and silk, from designs (\"cartoons\") drawn in Paris around 1500.
The lady stands with one hand touching the unicorn\'s horn, and the other holding up the pennant. The lion sits to the side and looks on.