191. 丘比特、死亡超越(阿莫尔、托德詹赛特),Intermezzi(蚀刻作品四)(1881)第12版 by Max Klinger 高清作品[36%]

Cupid, Death, and the Beyond (Amor, Tod und Jenseits), plate 12 from Intermezzi (Radierung Opus IV) (1881)

材质 :Portfolio of 12 etchings with aquatint on chine collé 尺寸 :About the work Drawing, Collage or other Work on Paper

丘比特、死亡超越(阿莫尔、托德詹赛特),Intermezzi(蚀刻作品四)(1881)第12版-马克斯·克林格尔(German, 1857–1920)

英文名称:Cupid, Death, and the Beyond (Amor, Tod und Jenseits), plate 12 from Intermezzi (Radierung Opus IV) (1881)-Max Klinger

192. 第六师连长Higuchi上尉,来自&系列著名陆军海军士兵镜子` Captain Higuchi, Company Commander in the Sixth Division, from the Series ;Mirror of Famous Army and Navy Men (1895) by Kobayashi Kiyochika 高清作品[36%]

~
Captain Higuchi, Company Commander in the Sixth Division, from the Series ;Mirror of Famous Army and Navy Men (1895) -

图片文件尺寸: 3532 x 5128px

第六师连长Higuchi上尉,来自&系列著名陆军海军士兵镜子-小林清香

~ Captain Higuchi, Company Commander in the Sixth Division, from the Series ;Mirror of Famous Army and Navy Men (1895) --Kobayashi Kiyochika (Japanese, 1847-1915)

195. 亚当夏娃,为平版印刷系列作品《爱》作画,Dual Graphics(1979年) - 萨尔瓦多-达利 高清作品[36%]

Adam et Eve, drawing for the lithographic serie Les Amoureux, Duall Graphics (1979)

  • 薩爾瓦多·達利
  • Adam et Eve, drawing for the lithographic serie Les Amoureux, Duall Graphics (1979)
  • signed Dalí (lower right)
  • gouache, watercolour and ink on cardboard
  • Adam et Eve, drawing for the lithographic serie Les Amoureux, Duall Graphics (1979)-SALVADOR-DALÍ
    (亚当夏娃,为平版印刷系列作品《爱》作画,Dual Graphics(1979年)-萨尔瓦多-达利)

    196. 佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马比赛马匹世界是如此可怕性别歧视;女孩女人通常只被视为性对象,而不是天才骑手训练员。”惠特尼灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)故事。在淘金热期间,帕克赫斯特是一名著名驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上是女性。(2018年) by Jamil Hellu 高清作品[36%]

    “The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale

    材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

    佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马比赛马匹世界是如此可怕性别歧视;女孩女人通常只被视为性对象,而不是天才骑手训练员。”惠特尼灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)故事。在淘金热期间,帕克赫斯特是一名著名驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上是女性。(2018年)-Jamil灯

    英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu