197. 埃米尔·安托万·布尔戴尔|皮杜切的笑脸,为左边的笑脸和玫瑰做研究()&皮杜切的笑脸,为右边的笑脸和玫瑰做研究(二)(作品) - 毫无保留地出售- 高清作品[28%]

 EMILE ANTOINE BOURDELLE  | TÊTE DE RIEUSE SUR PIÉDOUCHE, ÉTUDE POUR LA FIGURE DE GAUCHE DE RIRES ET ROSES (I) & TÊTE DE RIEUSE SUR PIÉDOUCHE, ÉTUDE POUR LA FIGURE DE DROITE DE RIRES ET ROSES (II) (A PAIR OF WORKS)-Sold-Without-Reserve-

EMILE ANTOINE BOURDELLE | TÊTE DE RIEUSE SUR PIÉDOUCHE, ÉTUDE POUR LA FIGURE DE GAUCHE DE RIRES ET ROSES (I) & TÊTE DE RIEUSE SUR PIÉDOUCHE, ÉTUDE POUR LA FIGURE DE DROITE DE RIRES ET ROSES (II) (A PAIR OF WORKS)-Sold-Without-Reserve-
(埃米尔·安托万·布尔戴尔|皮杜切的笑脸,为左边的笑脸和玫瑰做研究()&皮杜切的笑脸,为右边的笑脸和玫瑰做研究(二)(作品)-毫无保留地出售-)

198. 艺术协会大厅#艺术是通过劳动获得的(艺术是通过劳动获得的)莱顿` The Hall of the Artistic Society ;Kunst wordt door Arbeid verkregen (Art is Acquired through Labor) in Leiden (1780) by Paulus Constantijn la Fargue 高清作品[28%]

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The Hall of the Artistic Society ;Kunst wordt door Arbeid verkregen (Art is Acquired through Labor) in Leiden (1780) -

图片文件尺寸: 6032 x 4662px

艺术协会大厅#艺术是通过劳动获得的(艺术是通过劳动获得的)莱顿-保罗·康斯坦丁拉法格

~ The Hall of the Artistic Society ;Kunst wordt door Arbeid verkregen (Art is Acquired through Labor) in Leiden (1780) --Paulus Constantijn la Fargue (荷兰艺术家, 1729 - 1782)

199. 表演参与者的肖像,准备感受条L.B.项链,苏西·戈梅兹在其中提议试验条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020) by Susy Gómez 高清作品[28%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者的肖像,准备感受条L.B.项链,苏西·戈梅兹在其中提议试验条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez