12. 当我坐在山谷里,凝视着阴影,随着太阳节奏在树叶上翩翩起舞时,距离比例对我来说似乎都没有意义(I)(2019) by Derek Liddington 高清作品[42%]

Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (I) (2019) | Available for Sale

材质 :Oil on canvas 尺寸 :165.1 × 195.6 cm Painting

当我坐在山谷里,凝视着阴影,随着太阳节奏在树叶上翩翩起舞时,距离比例对我来说似乎都没有意义(I)(2019)-德里克·利丁顿(Canadian, b. 1981)

英文名称:Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (I) (2019) | Available for Sale-Derek Liddington

13. 当我坐在山谷里,凝视着阴影,随着太阳节奏在树叶上翩翩起舞时,距离比例对我来说似乎都没有意义(II)(2019) by Derek Liddington 高清作品[42%]

Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (II) (2019) | Available for Sale

材质 :Oil on canvas 尺寸 :165.1 × 195.6 cm Painting

当我坐在山谷里,凝视着阴影,随着太阳节奏在树叶上翩翩起舞时,距离比例对我来说似乎都没有意义(II)(2019)-德里克·利丁顿(Canadian, b. 1981)

英文名称:Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (II) (2019) | Available for Sale-Derek Liddington

14. 安东·v·沃纳(Anton v.Werner)于2013年在1892年修订壁画《柏林之光》(Der Kongress zu Berlin)最终版本中装潢政治权力意义 by Michael van Ofen 高清作品[42%]

材质 :Oil on canvas 尺寸 :80 × 120 × 8 cm Painting

图片文件尺寸 : 5630 x 4332px

安东·v·沃纳(Anton v.Werner)于2013年在1892年修订壁画《柏林之光》(Der Kongress zu Berlin)最终版本中装潢政治权力意义-迈克尔·范奥芬(German, b. 1956)

英文名称:Dekor und Signifikant politischer Macht in der überarbeiteten Endfassung des Wandbildes \"Der Kongreß zu Berlin\", 1892 von Anton v. Werner, 2013-Michael van Ofen

15. 威廉·米娜(WILHELMINA)作为文艺复兴时期圣母玛利亚(MADONNA)圣婴哭泣肖像(以莱昂纳多(LEONARDO)名字命名) - 弗朗西斯科·维佐利- 高清作品[42%]

 CRYING PORTRAIT OF WILHELMINA AS A RENAISSANCE MADONNA WITH HOLY CHILD (AFTER LEONARDO)-FRANCESCO-VEZZOLI-

CRYING PORTRAIT OF WILHELMINA AS A RENAISSANCE MADONNA WITH HOLY CHILD (AFTER LEONARDO)-FRANCESCO-VEZZOLI-
(威廉·米娜(WILHELMINA)作为文艺复兴时期圣母玛利亚(MADONNA)圣婴哭泣肖像(以莱昂纳多(LEONARDO)名字命名)-弗朗西斯科·维佐利-)

17. 贝勒罗芬帕伽索斯与蓝山商业巨擘之战。或者,菠萝炸弹毁灭性影响。(2021) by Umar Rashid (Frohawk Two Feathers) 高清作品[40%]

Bellerophon and Pegasus vs the Colossus of Commerce in the Blue Mountains.  Or, the devastating effect of the pineapple bomb. (2021)

材质 :Acrylic and spray paint on canvas 尺寸 :183 × 183 cm Painting

贝勒罗芬帕伽索斯与蓝山商业巨擘之战。或者,菠萝炸弹毁灭性影响。(2021)-乌马尔·拉希德(两根羽毛)

英文名称:Bellerophon and Pegasus vs the Colossus of Commerce in the Blue Mountains. Or, the devastating effect of the pineapple bomb. (2021)-Umar Rashid (Frohawk Two Feathers)

19. 哥特式教堂莱顿唱诗堂,带有文艺复兴时期祭坛身穿17世纪服装斯塔法格雕像。· Blick auf Lettner und Chor einer gotischen Kirche mit Renaissance~Altären und Staffagefiguren im Kostüm des 17. Jahrhunderts (1778) by JOHANN VÖGELIN 高清作品[39%]

~
Blick auf Lettner und Chor einer gotischen Kirche mit Renaissance~Altären und Staffagefiguren im Kostüm des 17. Jahrhunderts (1778) -

图片文件尺寸: 6790 x 8488px

哥特式教堂莱顿唱诗堂,带有文艺复兴时期祭坛身穿17世纪服装斯塔法格雕像。JOHANNVLIN

~ Blick auf Lettner und Chor einer gotischen Kirche mit Renaissance~Altären und Staffagefiguren im Kostüm des 17. Jahrhunderts (1778) --JOHANN VÖGELIN (德国艺术家, 18th Century)