12. \\《小妹妹》——混合媒体、小型、方形、女权主义、纸上框架作品(2017) by Vivian Liddell 高清作品[33%]

材质 :Mixed Media 尺寸 :33 × 29.5 cm Drawing, Collage or other Work on Paper

\\《小妹妹》——混合媒体、小型、方形、女权主义、纸上框架作品(2017)-维维安·利德尔(American, b. 1971)

英文名称:\\\"Little Sister\\\" - Mixed Media, Small, Square, Feminist, Framed Work on Paper (2017) | Available for Sale-Vivian Liddell

13. \\“原子皱眉”——混合媒体、小型、方形、女权主义、纸上框架作品(2017年) by Vivian Liddell 高清作品[32%]

材质 :Mixed Media 尺寸 :33.7 × 29.8 cm Drawing, Collage or other Work on Paper

\\“原子皱眉”——混合媒体、小型、方形、女权主义、纸上框架作品(2017年)-维维安·利德尔(American, b. 1971)

英文名称:\\\"Atomic Frown\\\"- Mixed Media, Small, Square, Feminist, Framed Work on Paper (2017) | Available for Sale-Vivian Liddell

17. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大的现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[27%]

`
Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大的现实主义作品-斯特罗布里奇公司。

` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

18. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大的现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[27%]

~
Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大的现实主义作品-斯特罗布里奇公司。

~ Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

19. 表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020) by Susy Gómez 高清作品[25%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez

20. A代表一无所有,B代表一大堆胡说八道,C代表废话,D代表下次好运,E代表去你妈的,(2021年) by Cary Leibowitz ("Candy Ass") 高清作品[24%]

A is for Nothing, B is for a Whole Lot of Nuthin, C is for Crap, D is for Better Luck Next Time, E is for Go Fuck Yourself, (2021)

材质 :Glaze crayon on ceramic vase 尺寸 :25.4 × 12.7 × 12.7 cm Sculpture

A代表一无所有,B代表一大堆胡说八道,C代表废话,D代表下次好运,E代表去你妈的,(2021年)-卡里·莱博维茨(“糖果屁股”)(American, b. 1963)

英文名称:A is for Nothing, B is for a Whole Lot of Nuthin, C is for Crap, D is for Better Luck Next Time, E is for Go Fuck Yourself, (2021)-Cary Leibowitz ("Candy Ass")