11. 矿工废弃的中国大院中的铺位,之所以这样称呼,是因为它可能1904年至1910年间安置了契约中国劳工。20世纪50年代被遗弃之前,黑人矿工住这里。小火杰克金矿,杰米斯顿。1965年7月,1965年 by David Goldblatt 高清作品[43%]

Miner\'s bunks in the abandoned Chinese compound, so called because it probably housed indentured Chinese labourer between 1904 and 1910. Before its abandonment in the 1950s, Black miners were accomodated here. Simmer and Jack Gold Mine, Germiston. July 1965, 1965

材质 :Silver gelatin photograph on fibre-based paper 尺寸 :55 × 44.5 cm Photography

图片文件尺寸 : 5630 x 4332px

矿工废弃的中国大院中的铺位,之所以这样称呼,是因为它可能1904年至1910年间安置了契约中国劳工。20世纪50年代被遗弃之前,黑人矿工住这里。小火杰克金矿,杰米斯顿。1965年7月,1965年-大卫·戈德布拉特(South African, 1930–2018)

英文名称:Miner\'s bunks in the abandoned Chinese compound, so called because it probably housed indentured Chinese labourer between 1904 and 1910. Before its abandonment in the 1950s, Black miners were accomodated here. Simmer and Jack Gold Mine, Germiston. July 1965, 1965-David Goldblatt

13. 罗马竞技场其他罗马纪念碑的古典景观;一幅古典的风景画,人物湖前休息,远处是一座城堡 - 简-弗兰斯-范-弗劳尔斯-叫奥里佐特 高清作品[42%]

A classical landscape with the Colosseum and other Roman monuments;A classical landscape with figures resting before a lake, a castle beyond

  • Jan Frans van Bloemen, called l;Orizzonte
  • A classical landscape with the Colosseum and other Roman monuments;A classical landscape with figures resting before a lake, a castle beyond
  • A classical landscape with the Colosseum and other Roman monuments;A classical landscape with figures resting before a lake, a castle beyond-JAN-FRANS-VAN-BLOEMEN,-CALLED-L\'ORIZZONTE
    (罗马竞技场其他罗马纪念碑的古典景观;一幅古典的风景画,人物湖前休息,远处是一座城堡-简-弗兰斯-范-弗劳尔斯-叫奥里佐特)

    17. 超现实主义是我!(萨尔瓦多·达利的肖像,带着珠宝眼泪,霍斯特之后),2009年 by Francesco Vezzoli 高清作品[42%]

    Le Surréalisme C\'Est Moi! (Portrait of Salvador Dalí with Jewels and Tears, After Horst), 2009

    材质 :Inkjet print on canvas with custom jewelry and cotton and metallic embroidery, in artists chosen frame 尺寸 :104 × 77 × 6 cm Painting

    图片文件尺寸 : 5630 x 4332px

    超现实主义是我!(萨尔瓦多·达利的肖像,带着珠宝眼泪,霍斯特之后),2009年-弗朗西斯科·维佐利(Italian, b. 1971)

    英文名称:Le Surréalisme C\'Est Moi! (Portrait of Salvador Dalí with Jewels and Tears, After Horst), 2009-Francesco Vezzoli

    18. 中国绘画史》《现代绘画简史》洗衣机里洗了两分钟(1987年) by Huang Yong Ping 黄永砯 高清作品[42%]

    The History of Chinese Painting and A Concise History of Modern Painting Washed in a Washing Machine for Two Minutes, (1987)

    材质 :Ink on wooden crate, paper pulp, and glass 尺寸 :76.8 × 48.3 × 69.9 cm Other

    中国绘画史》《现代绘画简史》洗衣机里洗了两分钟(1987年)-Huang Yong Ping 黄永砯(Chinese, 1954–2019)

    英文名称:The History of Chinese Painting and A Concise History of Modern Painting Washed in a Washing Machine for Two Minutes, (1987)-Huang Yong Ping 黄永砯

    19. 废墟中有人物的两个经典场景:A)被土耳其人洗劫的城市中一座废弃的宫殿大厅(RECTO);建筑物平面图人物研究(VERSO)B)前景泳池边的土耳其古典遗迹随想曲 - PIERRE-NICOLAS-LEGRAND-DE-LÉRANT- 高清作品[41%]

     A PAIR OF CLASSICAL SCENES WITH FIGURES AMONG RUINS: A) A RUINED PALATIAL HALL IN A CITY SACKED BY TURKS (RECTO); A PLAN OF THE BUILDING WITH STUDIES OF FIGURES (VERSO) B) A CAPRICCIO OF CLASSICAL RUINS WITH TURKS BY A POOL IN THE FOREGROUND-PIERRE-NICOLAS-LEGRAND-DE-LÉRANT-

    A PAIR OF CLASSICAL SCENES WITH FIGURES AMONG RUINS: A) A RUINED PALATIAL HALL IN A CITY SACKED BY TURKS (RECTO); A PLAN OF THE BUILDING WITH STUDIES OF FIGURES (VERSO) B) A CAPRICCIO OF CLASSICAL RUINS WITH TURKS BY A POOL IN THE FOREGROUND-PIERRE-NICOLAS-LEGRAND-DE-LÉRANT-
    (废墟中有人物的两个经典场景:A)被土耳其人洗劫的城市中一座废弃的宫殿大厅(RECTO);建筑物平面图人物研究(VERSO)B)前景泳池边的土耳其古典遗迹随想曲-PIERRE-NICOLAS-LEGRAND-DE-LÉRANT-)