11. 当我坐在山谷里,凝视着阴影,随着太阳节奏在树叶上翩翩起舞时,距离比例对我来说似乎都没有意义(I)(2019) by Derek Liddington 高清作品[42%]

Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (I) (2019) | Available for Sale

材质 :Oil on canvas 尺寸 :165.1 × 195.6 cm Painting

当我坐在山谷里,凝视着阴影,随着太阳节奏在树叶上翩翩起舞时,距离比例对我来说似乎都没有意义(I)(2019)-德里克·利丁顿(Canadian, b. 1981)

英文名称:Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (I) (2019) | Available for Sale-Derek Liddington

12. 当我坐在山谷里,凝视着阴影,随着太阳节奏在树叶上翩翩起舞时,距离比例对我来说似乎都没有意义(II)(2019) by Derek Liddington 高清作品[42%]

Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (II) (2019) | Available for Sale

材质 :Oil on canvas 尺寸 :165.1 × 195.6 cm Painting

当我坐在山谷里,凝视着阴影,随着太阳节奏在树叶上翩翩起舞时,距离比例对我来说似乎都没有意义(II)(2019)-德里克·利丁顿(Canadian, b. 1981)

英文名称:Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (II) (2019) | Available for Sale-Derek Liddington

14. 安东·v·沃纳(Anton v.Werner)于2013年在1892年修订壁画《柏林之光》(Der Kongress zu Berlin)最终版本中装潢政治权力意义 by Michael van Ofen 高清作品[42%]

材质 :Oil on canvas 尺寸 :80 × 120 × 8 cm Painting

图片文件尺寸 : 5630 x 4332px

安东·v·沃纳(Anton v.Werner)于2013年在1892年修订壁画《柏林之光》(Der Kongress zu Berlin)最终版本中装潢政治权力意义-迈克尔·范奥芬(German, b. 1956)

英文名称:Dekor und Signifikant politischer Macht in der überarbeiteten Endfassung des Wandbildes \"Der Kongreß zu Berlin\", 1892 von Anton v. Werner, 2013-Michael van Ofen

15. 威廉·米娜(WILHELMINA)作为文艺复兴时期圣母玛利亚(MADONNA)圣婴哭泣肖像(以莱昂纳多(LEONARDO)名字命名) - 弗朗西斯科·维佐利- 高清作品[42%]

 CRYING PORTRAIT OF WILHELMINA AS A RENAISSANCE MADONNA WITH HOLY CHILD (AFTER LEONARDO)-FRANCESCO-VEZZOLI-

CRYING PORTRAIT OF WILHELMINA AS A RENAISSANCE MADONNA WITH HOLY CHILD (AFTER LEONARDO)-FRANCESCO-VEZZOLI-
(威廉·米娜(WILHELMINA)作为文艺复兴时期圣母玛利亚(MADONNA)圣婴哭泣肖像(以莱昂纳多(LEONARDO)名字命名)-弗朗西斯科·维佐利-)

16. 无标题#5(小行星511 Davida(1903 LU)估计价值利润X 50年来世界人口每月5000美元普遍基本收入)(2019年) by Pedro Victor Brandão 高清作品[41%]

Untitled #5 (Estimated Value and Profit of Asteroid 511 Davida (1903 LU) X Universal Basic Income for World Population of USD 5000 per month for 50 Years) (2019)

材质 :Acrylics, varnish, and ink marker on canvas 尺寸 :40 × 40 cm Painting

无标题#5(小行星511 Davida(1903 LU)估计价值利润X 50年来世界人口每月5000美元普遍基本收入)(2019年)-佩德罗·维克托·布兰多(Brazilian, b. 1985)

英文名称:Untitled #5 (Estimated Value and Profit of Asteroid 511 Davida (1903 LU) X Universal Basic Income for World Population of USD 5000 per month for 50 Years) (2019)-Pedro Victor Brandão

17. 历史核心样本/(衰落衰落)(2015年) by Sarah Stengle 高清作品[41%]

Core Sample of History/ (Decline and fall) (2015)

材质 :Approx. 2,500 disks of paper hand-punched from several volumes of “The Decline and Fall of the Roman Empire”, by Edward Gibbons, mounted on an industrial cast iron object, and bound through the center with a brass cylinder. Inside the brass cylinder is a 9” glass tube filled with dirt to represent what has been buried, lost or decayed 尺寸 :14 × 39.4 × 12.7 cm Sculpture

历史核心样本/(衰落衰落)(2015年)-莎拉·斯坦格尔

英文名称:Core Sample of History/ (Decline and fall) (2015)-Sarah Stengle

19. 1805年10月21日,劳埃德爱国基金向H.M.s.BellerophonWilliam Pryce Cumby Esq.颁发了价值100英镑特拉法加剑腰带。(1805) by Captain Pryce Cumby 高清作品[40%]

The Lloyd’s Patriotic Fund £100 Trafalgar sword and belt awarded to William Pryce Cumby Esq. of H.M.S. Bellerophon, 21st October 1805. (1805)

材质 :Gilt, ormolu and mahogany box. 尺寸 :101.6 × 40.6 cm Other

1805年10月21日,劳埃德爱国基金向H.M.s.BellerophonWilliam Pryce Cumby Esq.颁发了价值100英镑特拉法加剑腰带。(1805)-普赖斯·卡比船长

英文名称:The Lloyd’s Patriotic Fund £100 Trafalgar sword and belt awarded to William Pryce Cumby Esq. of H.M.S. Bellerophon, 21st October 1805. (1805)-Captain Pryce Cumby