14. \\“法基尔的各种寺庙忏悔”(Diverses Pagodes and Penicienses des Faquirs)出自《偶像崇拜民族的仪式宗教习俗》(1729年) by Amsterdam 高清作品[21%]

材质 :Copperplate engraving 尺寸 :48 × 52.4 cm Print

\\“法基尔的各种寺庙忏悔”(Diverses Pagodes and Penicienses des Faquirs)出自《偶像崇拜民族的仪式宗教习俗》(1729年)-阿姆斯特丹

英文名称:\\\"Diverses Pagodes et Penitences des Faquirs\\\" (\\\"Various Temples and Penances of the Fa- kirs\\\"), from Ceremonies et coutumes religieuses des Peuples ldolatres (Ceremonies and Religious Customs of the Idolatrous Peoples) (1729)-Amsterdam

15. 文艺复兴时期创造力科学成就的顶峰:带有机械痕迹的天球。(c1540-c1550) by Anonymous 高清作品[21%]

The culmination of Renaissance ingenuity and scientific achievement: Celestial sphere with traces of a mechanism. (c1540-c1550)

材质 :Celestial sphere, two large brass fretwork hemispheres joined at the equator with two sets of rings. The first set consists of five parallel horizontal rings representing the Equator, Tropics of Cancer and Capricorn, and both polar circles as well as vertical colures and meridians intersecting both poles and crossing the equator at 30 degrees. The second set consists of six rings intersecting the equatorial poles at an angle of 23.5 degrees – this angle would allow the now-missing inner terrestrial sphere to consistently point to the north and south equatorial poles of the celestial sphere. Placed atop this set of 17 rings are the 48 Ptolemaic constellations and two non-Ptolemaic ones. The Lynx (LE LYNX) located between the Great Bear and Leo and the constellation of Eridanus, depicted as a naked female figure, were both added later. The planetary symbols and series of stars up to five magnitudes are engraved on the figures of each constellation. The celestial sphere is mounted on a graduated brass meridian ring held in place by two recesses on the horizon ring. One face of the meridian is stamped with a scale of 360 degrees, and an hour-ring and index is mounted at the North Pole. A set of four brackets support the horizon ring with engraved acanthus leaf decoration and foliage, which terminate in scrolls with a pierced opening holding a peg attached to the horizon. The upper face of the horizon features an inner scale of 360 degrees divided into 12 signs for the zodiac labelled in Latin and depicted with its symbol. An outer scale depicts the Julian calendar with the names of the months stamped in Roman capital letters. The first point of Aries coincides with the 11th of March. The 12 winds are engraved at the outer edge as blowing figures. The sphere is supported by a chased-brass circular base with four grotesque human figures amongst arabesque decoration. The sphere rests on a cylindrical marble stand with minor chips consistent with age. 尺寸 :86 × 33 × 33 cm Other

文艺复兴时期创造力科学成就的顶峰:带有机械痕迹的天球。(c1540-c1550)-匿名的

英文名称:The culmination of Renaissance ingenuity and scientific achievement: Celestial sphere with traces of a mechanism. (c1540-c1550)-Anonymous

17. “哈拉”是一个秘密的女同性恋无神论者,她离开家时会摘下围巾。“宗教是政治性的。它限制贬低\\”(2016) by Tanya Habjouqa 高清作品[20%]

“Hala”  is a closet lesbian and atheist who takes off her scarf when she leaves the house.  “Religion is political. It\'s limiting and demeaning\\

材质 : 尺寸 : Photography

“哈拉”是一个秘密的女同性恋无神论者,她离开家时会摘下围巾。“宗教是政治性的。它限制贬低\\”(2016)-Tanya Habjouqa

英文名称:“Hala” is a closet lesbian and atheist who takes off her scarf when she leaves the house. “Religion is political. It\'s limiting and demeaning\\\" (2016)-Tanya Habjouqa

20. 威廉·米娜(WILHELMINA)作为文艺复兴时期圣母玛利亚(MADONNA)圣婴的哭泣肖像(以莱昂纳多(LEONARDO)的名字命名) - 弗朗西斯科·维佐利- 高清作品[20%]

 CRYING PORTRAIT OF WILHELMINA AS A RENAISSANCE MADONNA WITH HOLY CHILD (AFTER LEONARDO)-FRANCESCO-VEZZOLI-

CRYING PORTRAIT OF WILHELMINA AS A RENAISSANCE MADONNA WITH HOLY CHILD (AFTER LEONARDO)-FRANCESCO-VEZZOLI-
(威廉·米娜(WILHELMINA)作为文艺复兴时期圣母玛利亚(MADONNA)圣婴的哭泣肖像(以莱昂纳多(LEONARDO)的名字命名)-弗朗西斯科·维佐利-)