11. 威廉·波科克(WILLIAM POCOCK,伦敦南安普敦街,1813年)设计并制造一把令人印象深刻摄政时期躺椅 by Unknown 高清作品[32%]

AN IMPRESSIVE REGENCY PERIOD RECLINING ARMCHAIR  DESIGNED AND MADE BY WILLIAM POCOCK  (Southampton Street, London, 1813)

材质 :AN IMPRESSIVE REGENCY PERIOD RECLINING ARMCHAIR DESIGNED AND MADE BY WILLIAM POCOCK 尺寸 :109.2 × 99.1 × 91.4 cm Design\\\\u002FDecorative Art

威廉·波科克(WILLIAM POCOCK,伦敦南安普敦街,1813年)设计并制造一把令人印象深刻摄政时期躺椅-未知(Unknown)

英文名称:AN IMPRESSIVE REGENCY PERIOD RECLINING ARMCHAIR DESIGNED AND MADE BY WILLIAM POCOCK (Southampton Street, London, 1813)-Unknown

13. 一款精致乔治一世时期弓形表盘乌木贴面台钟,由这家著名合作伙伴设计。(约1718年) by Quare & Horseman 高清作品[32%]

A fine George I period arched dial ebony veneered table clock by this eminent partnership. (ca. 1718)

材质 :Ebony veneers on an oak ground to the case. Brass, iron and steel to the movement 尺寸 :100.3 cm Design\\\\u002FDecorative Art

一款精致乔治一世时期弓形表盘乌木贴面台钟,由这家著名合作伙伴设计。(约1718年)-方和;骑士

英文名称:A fine George I period arched dial ebony veneered table clock by this eminent partnership. (ca. 1718)-Quare & Horseman

14. 乔治·史密斯(GEORGE SMITH,约1810年)设计一款独特摄政时期游戏桌,采用实木镶板花边木,镶嵌乌木 by Unknown 高清作品[31%]

AN EXCEPTIONAL REGENCY PERIOD GAMES TABLE IN SOLID AND VENEERED LACEWOOD INLAID WITH EBONY  TO A DESIGN BY GEORGE SMITH (ca. 1810)

材质 :Ebony and lacewood 尺寸 :About the work Design\\\\u002FDecorative Art

乔治·史密斯(GEORGE SMITH,约1810年)设计一款独特摄政时期游戏桌,采用实木镶板花边木,镶嵌乌木-未知(Unknown)

英文名称:AN EXCEPTIONAL REGENCY PERIOD GAMES TABLE IN SOLID AND VENEERED LACEWOOD INLAID WITH EBONY TO A DESIGN BY GEORGE SMITH (ca. 1810)-Unknown

17. 2015年按创作时期划分西方艺术市场拍卖结果:5%老大师、12%19世纪、47%现代、25%战后、11%当代艺术\\”(2016) by Guy Limone 高清作品[30%]

The outcome of western art market auctions by period of creations in 2015: 5% Old Masters, 12% 19th century, 47% Modern, 25% Post-war, 11% Contemporary art\\

材质 :1000 hand painted plastic figures on a thread (scale 1/87th) 尺寸 :303 × 2 cm Sculpture

2015年按创作时期划分西方艺术市场拍卖结果:5%老大师、12%19世纪、47%现代、25%战后、11%当代艺术\\”(2016)-盖伊·莱蒙(French, b. 1958)

英文名称:The outcome of western art market auctions by period of creations in 2015: 5% Old Masters, 12% 19th century, 47% Modern, 25% Post-war, 11% Contemporary art\\\" (2016)-Guy Limone