MONDSCHEIN HINTER BURGRUINE MIT ERKER, UND MOND ÜBER KIEFERN-CARL-GUSTAV-CARUS--
(嘴在伯格鲁恩后面,嘴在艾克后面,嘴在基芬上面-卡尔-古斯塔夫-卡鲁斯--)
12.
戴安娜和艾克特恩`
Diana And Acteon by Joseph Heintz The Elder 高清作品[22%]
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画家简·范艾克`The painter Jan van Eyck by Albert De Vriendt 高清作品[22%]
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艾克霍顿修道院院长`Abbot of the Eeckhoutten by Albert De Vriendt 高清作品[22%]
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玛格丽特·范艾克肖像`Portrait of Margaret van Eyck by Jan van Eyck 高清作品[22%]
图片文件尺寸: 5698×7500 px
玛格丽特·范艾克肖像-简·范艾克先生
-Jan van Eyck (1390-1441) was a painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art.
Portrait of Margaret van Eyck (or Margaret, the Artist\'s Wife) is a 1439 oil on wood painting by the Early Netherlandish master Jan van Eyck. It is one of the two latest of his surviving paintings, and one of the earliest European artworks to depict a painter\'s spouse.
Margaret is shown in three-quarter view, that is her body almost directly facing the viewer but not quite. She is set against a flat black and featureless background, wearing an elegant red woolen gown with grey fur lining (in the medieval period fur often represented female sexuality), probably from squirrel, in the neck and cuffs. Her horned wimple is decorated with fine lace. Her left eye shows evidence of a squint, a feature unusually evident in northern Europeans of the era. The painter has taken a number of liberties with representation to accentuate the features of his wife. Her head is out of proportion to her body, and her forehead unusually and fashionably high, a device which allows the artist to concentrate on the facial features of his wife. In addition, the geometric pattern formed by her head-dress, arms and the V of her neck-line allows her face to dominate the image.