材质 : 尺寸 : Photography
恩里克·纳瓦·恩迪纳:墨西哥城国家人类学博物馆瓦哈坎展览馆(1999年)-莎伦·洛克哈特(American, b. 1964)
英文名称:Enrique Nava Enedina: Oaxacan Exhibit Hall, National Museum of Anthropology, Mexico City (1999)-Sharon Lockhart
图片文件尺寸: 5721×7500 px
去动物园吧,苍鹭-联邦艺术项目
-Poster promoting the Zoo as a place to visit, showing two Herons.
Visit the Zoo, Herons (Poster), by Federal Art Project, WPA
The Federal Art Project (1935-1943) was a New Deal program to fund the visual arts in the United States. Under national director Holger Cahill, it was one of five Federal Project Number One projects sponsored by the Works Progress Administration (WPA), and the largest of the New Deal art projects. It was created not as a cultural activity, but as a relief measure to employ artists and artisans to create murals, easel paintings, sculpture, graphic art, posters, photography, theatre scenic design, and arts and crafts. The WPA Federal Art Project established more than 100 community art centers throughout the country, researched and documented 美国艺术家 design, commissioned a significant body of public art without restriction to content or subject matter, and sustained some 10,000 artists and craft workers during the Great Depression.
图片文件尺寸: 6329×8000 px
去动物园吧,大象-联邦艺术项目
-Poster promoting the Zoo as a place to visit, showing an Elephant.
Visit the Zoo, Elephant (Poster), by Federal Art Project, WPA
The Federal Art Project (1935-1943) was a New Deal program to fund the visual arts in the United States. Under national director Holger Cahill, it was one of five Federal Project Number One projects sponsored by the Works Progress Administration (WPA), and the largest of the New Deal art projects. It was created not as a cultural activity, but as a relief measure to employ artists and artisans to create murals, easel paintings, sculpture, graphic art, posters, photography, theatre scenic design, and arts and crafts. The WPA Federal Art Project established more than 100 community art centers throughout the country, researched and documented 美国艺术家 design, commissioned a significant body of public art without restriction to content or subject matter, and sustained some 10,000 artists and craft workers during the Great Depression.
Abstraktion nach einem Primitiven im Museo Nazionale in Neapel, 1934-AUGUSTO-GIACOMETTI
(1934年,那不勒斯国家博物馆(Museo Nazionale)一座原始建筑的抽象化-奥古斯托-贾科梅蒂)