11. 《厄洛斯与心灵的厄洛斯研究》,浮雕装饰,圆形大厅,波士顿美术物馆` Study of Eros for Eros and Psyche, relief decoration, Rotunda, Museum of Fine Arts, Boston (ca. 1917–21) by John Singer Sargent 高清作品[26%]

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Study of Eros for Eros and Psyche, relief decoration, Rotunda, Museum of Fine Arts, Boston (ca. 1917–21) -

图片文件尺寸: 2360 x 3000px

《厄洛斯与心灵的厄洛斯研究》,浮雕装饰,圆形大厅,波士顿美术物馆-约翰·辛格·萨金特

` Study of Eros for Eros and Psyche, relief decoration, Rotunda, Museum of Fine Arts, Boston (ca. 1917–21) --John Singer Sargent (美国艺术家, 1856-1925)

13. 建筑工地的筒仓机器,鲁尔区埃森),选自《工业术馆艺术家名称》(1965年) by Bernd and Hilla Becher 高清作品[24%]

Silo und Mischanlage einer Baustelle, Essen, Ruhrgebiet (Silo and Machine for a Building Site, Essen, Ruhr District), from the portfolio Industriebauten Artist names (1965)

材质 :Gelatin silver print 尺寸 :19.5 × 15.2 cm Photography

建筑工地的筒仓机器,鲁尔区埃森),选自《工业术馆艺术家名称》(1965年)-伯恩希拉·贝克(German, 1931 and 1934)

英文名称:Silo und Mischanlage einer Baustelle, Essen, Ruhrgebiet (Silo and Machine for a Building Site, Essen, Ruhr District), from the portfolio Industriebauten Artist names (1965)-Bernd and Hilla Becher

14. 亨利·诺曼(Henry Norman)在《斯克里布纳》(Scribner)一书中几乎是这样说的:理解东方的问题吗是六月的` Do you understand the Eastern Question, Henry Norman states it practically in Scribners for June (1890) by L. Fred Hurd 高清作品[24%]

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Do you understand the Eastern Question, Henry Norman states it practically in Scribners for June (1890) -

图片文件尺寸: 6270 x 7953px

亨利·诺曼(Henry Norman)在《斯克里布纳》(Scribner)一书中几乎是这样说的:理解东方的问题吗是六月的-五十、弗雷德·赫德

~ Do you understand the Eastern Question, Henry Norman states it practically in Scribners for June (1890) --L. Fred Hurd (美国艺术家, 19th/20th Century)

18. 塔图因的双彩虹(开普勒16b):缩短的时间线抑制了我们对我们是谁、在哪里为什么的理解(2021) by George Bolster 高清作品[24%]

The Double Rainbows of Tatooine (Kepler 16b): Truncated Timelines Inhibit Our Understanding of Who, Where, and Why We Are (2021)

材质 :Jacquard tapestry 尺寸 :396.2 × 487.7 × 0.6 cm Textile Arts

塔图因的双彩虹(开普勒16b):缩短的时间线抑制了我们对我们是谁、在哪里为什么的理解(2021)-乔治·波姆(Irish, b. 1972)

英文名称:The Double Rainbows of Tatooine (Kepler 16b): Truncated Timelines Inhibit Our Understanding of Who, Where, and Why We Are (2021)-George Bolster