11. 《草地上的午餐：在我意识到奥德琳对她的话赋予了不同的含义（2017）之前，我是如何认为奥德琳想让我给她画画的 by Phil Rabovsky 高清作品[35%]

Luncheon on the Grass: How I Thought Audrine Wanted Me to Paint Her Before I Realized She Attached Different Meanings to Her Words (2017) | Available for Sale

材质 :Oil, acrylic, and silkscreen on canvas; plants 尺寸 :About the work Painting

《草地上的午餐：在我意识到奥德琳对她的话赋予了不同的含义（2017）之前，我是如何认为奥德琳想让我给她画画的-菲尔·拉博夫斯基

英文名称:Luncheon on the Grass: How I Thought Audrine Wanted Me to Paint Her Before I Realized She Attached Different Meanings to Her Words (2017) | Available for Sale-Phil Rabovsky

12. 死亡发生了——用紫色、橙色、黄色和黑色的单字画出明亮的讽刺画（2016年） by Vivian Liddell 高清作品[35%]

Death Happens - Bright Satirical Drawing on Monotype, with Purple, Orange, Yellow and Black Colors (2016)

材质 :Ink, Oil Pastel and Spray Paint on Monotype 尺寸 :50.8 × 66 cm Drawing, Collage or other Work on Paper

死亡发生了——用紫色、橙色、黄色和黑色的单字画出明亮的讽刺画（2016年）-维维安·利德尔(American, b. 1971)

英文名称:Death Happens - Bright Satirical Drawing on Monotype, with Purple, Orange, Yellow and Black Colors (2016)-Vivian Liddell

15. 泰勒马库斯描述了他是如何被允许进入克里特岛的集会的，摘自《泰勒马库斯历险记》第5卷` Telemachus Describes How He Was Admitted into the Assembly in Crete, from The Adventures of Telemachus, Book 5 (1808) by Bartolomeo Pinelli 高清作品[30%]

~ Telemachus Describes How He Was Admitted into the Assembly in Crete, from The Adventures of Telemachus, Book 5 (1808) -

图片文件尺寸: 3000 x 2514px

泰勒马库斯描述了他是如何被允许进入克里特岛的集会的，摘自《泰勒马库斯历险记》第5卷-巴托洛梅奥半夏

~ Telemachus Describes How He Was Admitted into the Assembly in Crete, from The Adventures of Telemachus, Book 5 (1808) --Bartolomeo Pinelli (Italian, 1781-1835)

18. 对于海洛因和女主人公来说，维纳斯间的复活和静脉注射的亲密是沿着方位角进入爱情（总是已经失去）的入口；或者，如何使用符号逻辑在迈克尔湾攻击两栖动物，同时在广场完工时保持坐姿（否则，就去问爱丽丝……当她十英尺高的时候……），2020年 by objet A.D 高清作品[30%]

Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020

材质 :Charcoal, Chalk, Oil-stick, and Oil-pastel on Paper 尺寸 :61 × 45.7 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

对于海洛因和女主人公来说，维纳斯间的复活和静脉注射的亲密是沿着方位角进入爱情（总是已经失去）的入口；或者，如何使用符号逻辑在迈克尔湾攻击两栖动物，同时在广场完工时保持坐姿（否则，就去问爱丽丝……当她十英尺高的时候……），2020年-目标A.D(b. 1993)

英文名称:Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020-objet A.D

19. 哈姆雷特&;为什么看你！看看它是如何悄悄溜走的——就在门口&; 第三幕，第四场，哈姆雷特` Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) by Edwin Austin Abbey 高清作品[29%]

~ Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) -

图片文件尺寸: 2039 x 2776px

哈姆雷特&;为什么看你！看看它是如何悄悄溜走的——就在门口&; 第三幕，第四场，哈姆雷特-埃德温·奥斯汀修道院

~ Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) --Edwin Austin Abbey (美国艺术家, 1852 - 1911)

20. 哈姆雷特;为什么看你！看看它是如何悄悄溜走的——就在门口; 第三幕，第四场，哈姆雷特` Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) by Edwin Austin Abbey 高清作品[29%]

~ Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) -

图片文件尺寸: 2039 x 2776px

哈姆雷特;为什么看你！看看它是如何悄悄溜走的——就在门口; 第三幕，第四场，哈姆雷特-埃德温·奥斯汀修道院

~ Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) --Edwin Austin Abbey (美国艺术家, 1852 - 1911)

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