12. 乔治三世(GEORGE III)的桃花心木防火屏风,苏豪(SOHO)刺绣作品归赖特和埃尔维克(屏风:英语,约1765年)刺绣作品:英语,约1765年) by English 高清作品[21%]

A GEORGE III MAHOGANY FIRE SCREEN WITH SOHO NEEDLEWORK ATTRIBUTED TO WRIGHT & ELWICK (The screen: English, circa 1765  The needlework: English, circa 1765)

材质 :Mahogany 尺寸 :115.5 × 109.5 cm Other

乔治三世(GEORGE III)的桃花心木防火屏风,苏豪(SOHO)刺绣作品归赖特和埃尔维克(屏风:英语,约1765年)刺绣作品:英语,约1765年)-英语

英文名称:A GEORGE III MAHOGANY FIRE SCREEN WITH SOHO NEEDLEWORK ATTRIBUTED TO WRIGHT & ELWICK (The screen: English, circa 1765 The needlework: English, circa 1765)-English

16. 城市里什么都没有,只有死亡;卡斯特尔的巴黎公主街14号;如果没有恶魔[三部作品];1964-65 - 安迪·沃霍尔(1928-1987)和杰拉德·马兰加(1943年) 高清作品[21%]

Nothing in the City, Only Death; Castel\'s 14 Rue de Princesse, Paris; What If There Were No Diabiness [Three Works]; 1964-65

  • Andy Warhol (1928 - 1987) and Gerard Malanga (b. 1943)
  • Nothing in the City, Only Death; Castel\'s 14 Rue de Princesse, Paris; What If There Were No Diabiness [Three Works]; 1964-65
  • Nothing in the City, Only Death; Castel\'s 14 Rue de Princesse, Paris; What If There Were No Diabiness [Three Works]; 1964-65-ANDY-WARHOL-(1928---1987)-AND-GERARD-MALANGA-(B.-1943)
    (城市里什么都没有,只有死亡;卡斯特尔的巴黎公主街14号;如果没有恶魔[三部作品];1964-65-安迪·沃霍尔(1928-1987)和杰拉德·马兰加(1943年))

    17. 表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚的作品具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020) by Susy Gómez 高清作品[21%]

    Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

    材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

    表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚的作品具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

    英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez