材质 :Marker and ink on paper 尺寸 :10.2 × 15.2 cm Drawing, Collage or other Work on Paper
当你试图不让酒保知道你有多糟糕时(2019年)-米兰达·塔奇亚
英文名称:When you\'re trying not to let the bartender know how fucked up you are (2019)-Miranda Tacchia
Despair, Desire and Delight: Works from an Outstanding Private Collection
Georges Rouault
1871 - 1958
Danse macabre I
signed G.R. (lower right)
oil over a printed paper base laid down on canvas
39.8 by 29.7cm., 15⅝ by 11¾in.
Framed: 62.5 by 54.1cm., 24⅝ by 21¼in.
Painted circa 1938.
Danse macabre I-Georges-Rouault
(舞得可怕-卢奥)
Property from a Private Collection, Ireland
Paul Delvaux
1897 - 1994
La danse macabre
signed P.D., dated 2-59, titled and inscribed SPY (lower right)
pen and ink, gouache and wash on card
59.5 by 75cm., 23½ by 21½in.
Executed in February 1959.
The authenticity of this work has been confirmed by the Fondation Paul Delvaux.
La danse macabre-Paul-Delvaux
(可怕的舞蹈-保罗·德尔沃)
材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography
佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视;女孩和女人通常只被视为性对象,而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特是一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上是女性。(2018年)-Jamil灯
英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu