∀高達賽璐璐附線稿，原稿及手繪原裝背景-Turn-A-Gundam-by-Sunrise-Inc.
（∀高達賽璐璐附線稿，原稿及手繪原裝背景-Turn-A-Gundam-by-Sunrise-Inc。）
182.
巴塞罗那的蓝色时期，1965年。 by Pablo Picasso 高清作品[17%]
材质 :
图片文件尺寸 : 4859 x 3695 px
巴塞罗那的蓝色时期，1965年。-毕加索
英文名称:Die blaue Periode von Barcelona, 1963.-Pablo Picasso
183.
阿滕统治时期的渲染（2013年） by James Turrell 高清作品[17%]
材质 :Daylight and LED light 尺寸 :About the work Installation
阿滕统治时期的渲染（2013年）-詹姆斯·特瑞尔(American, b. 1943)
英文名称:Rendering for Aten Reign (2013)-James Turrell
184.
文艺复兴时期音乐家（2019） by George Condo 高清作品[17%]
材质 :Etching with drypoint 尺寸 :68.6 × 76.2 cm Print
文艺复兴时期音乐家（2019）-乔治·康多(American, b. 1957)
英文名称:Renaissance Musicians (2019)-George Condo
185.
壶和壶（约1765年，清朝，乾隆时期） by Unknown Artist 高清作品[17%]
材质 :Metal esmaltado 尺寸 :32 × 37 × 9 cm Fashion Design and Wearable Art
壶和壶（约1765年，清朝，乾隆时期）-无名艺术家
英文名称:Jarra y bacia (ca. 1765, Dinastia Qing, periodo Qianlong.)-Unknown Artist
186.
《过渡时期的浩劫》（2021年） by Laura J. Padgett 高清作品[17%]
材质 :Archival Pigment Print on Hahnemühle Museum Etching 350 gsm 尺寸 :96 × 66.67 cm Photography
《过渡时期的浩劫》（2021年）-劳拉·J·帕吉特
英文名称:The Enormity of the Interim (2021) | Available for Sale-Laura J. Padgett
187.
乌得勒支市政厅大桥及周边环境`
Utrecht Town Hall Bridge with Surroundings (1779) by Isaac Ouwater 高清作品[17%]
图片文件尺寸: 3035 x 2505px
乌得勒支市政厅大桥及周边环境-艾萨克·乌沃特
~ Utrecht Town Hall Bridge with Surroundings (1779) --Isaac Ouwater (荷兰艺术家, 1748–1793)
188.
油漆及1896年粘土俱乐部展览`
Paint & clay club exhibition of 1896 (1895) by Charles Herbert Woodbury 高清作品[17%]
图片文件尺寸: 3103 x 5202px
油漆及1896年粘土俱乐部展览-查尔斯·赫伯特·伍德伯里
~ Paint & clay club exhibition of 1896 (1895) --Charles Herbert Woodbury (美国艺术家, 1864-1940)
189.
弗兰克·西纳特拉（Frank Sinatra）和替身及保安团队，迈阿密海滩木板路，1967年 by Terry O;Neill 高清作品[17%]
材质 : 尺寸 : Photography
图片文件尺寸 : 5630 x 4332px
弗兰克·西纳特拉（Frank Sinatra）和替身及保安团队，迈阿密海滩木板路，1967年-特里O尼尔(British, 1938–2019)
英文名称:Frank Sinatra with Body Double and security team, Boardwalk, Miami Beach, 1967-Terry ONeill
190.
恩索时期`Enso, Edo Period by Mugaku Soen 高清作品[17%]
图片文件尺寸: 6000×3622 px
恩索时期-苏木谷
-Ensō is a Japanese word meaning circle and a concept strongly associated with Zen. Ensō is one of the most popular subjects of Japanese calligraphy even though it is a symbol and not a character. It symbolises the Absolute, enlightenment, strength, elegance, the Universe, and the void; it can also symbolise the Japanese aesthetic itself. As an ‘expression of the moment’ it is often considered a form of minimalist expressionist art.
In Zen Buddhist painting, ensō represents a moment when the mind is free to simply let the spirit create. The brushed ink of the circle is usually done on silk or paper in one movement (but sometimes the great Bankei used two strokes) and there is no possibility of modification: it shows the expressive movement of the spirit at that time. Zen Buddhists believe that the character of the artist is fully exposed in how he or she draws an ensō. Only a person who is mentally and spiritually complete can draw a true ensō. Achieving the perfect circle, be it a full moon or an ensō is said to be The Moment of Enlightenment.
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