Property from an Important Private Collection
Gustave Loiseau
1865 - 1935
Effets de soleil, les Damps (Eure, Normandie)
signed G. LOISEAU (lower right)
oil on canvas
54.5 by 65.5cm., 21½ by 25¾in.
Framed: 77.3 by 88.4cm., 30⅜ by 34¾in.
Painted circa 1900.
This work will be included in the forthcoming catalogue raisonné being prepare by Didier Imbert.
Effets de soleil, les Damps (Eure, Normandie)-Gustave-Loiseau
（日照，Les Damps（欧尔，诺曼底）-古斯塔夫·卢瓦索）
Property from a Private Dutch Collection
Gustave Loiseau
1865 - 1935
La rue de l Epicerie à Rouen, jour de marché
signed G. Loiseau (lower left)
oil on canvas
81.2 by 60.5cm., 32 by 23¾in.
Framed: 109.5 by 89cm., 43⅛ by 35in.
Painted circa 1929.
This work will be included in the forthcoming catalogue raisonné being prepared by Didier Imbert.
La rue de lEpicerie à Rouen, jour de marché-Gustave-Loiseau
（L街鲁昂的Epicerie，集市日-古斯塔夫·卢瓦索）
BLACK GROUSE IN FLIGHT IN A WINTER WOODLAND-ARCHIBALD-THORBURN-
（黑松鸡在冬天的林地里飞翔-阿奇博尔德·索伯恩-）
Les Rives de lEure le matin, Saint Cyr du Vaudreuil-Gustave-Loiseau
（早上的河岸，瓦德鲁伊的圣赛尔-古斯塔夫·卢瓦索）
Maison à la grille rose, environs de Pontoise-GUSTAVE-LOISEAU
（Pontoise附近的粉红色格栅房子-古斯塔夫-卢瓦索）
材质 :Acrylic and spray paint on canvas 尺寸 :150 × 120 cm Painting
大卫·德伊奇·索莱斯（2021）-迪迪埃·贾巴·马蒂厄
英文名称:David Deutsch Solace (2021)-Didier Jaba Mathieu
材质 :Acrílico sobre tela 尺寸 :50 × 50 cm Painting
索布雷·格里斯（1975）-爱德华多·麦克·恩泰尔
英文名称:Sobre Gris (1975)-Eduardo Mac Entyre
材质 :Oil on masonite 尺寸 :50.8 × 61 cm Painting
著名画家菲洛梅·奥比恩前往太子港（海地）（1960-1965）-菲洛梅奥宾
英文名称:Depart du Celebre Artiste Peintre Philomé Obin pour Port-au-Prince (Haiti) (1960-1965)-Philomé Obin
材质 :Oil on board 尺寸 :61 × 91.4 cm Painting
图片文件尺寸 : 5630 x 4332px
画家画家，1962年-米尔顿·艾弗里(American, 1885–1965)
英文名称:Artist Paints Artist, 1962-Milton Avery
图片文件尺寸: 6000×3622 px
恩索时期-苏木谷
-Ensō is a Japanese word meaning circle and a concept strongly associated with Zen. Ensō is one of the most popular subjects of Japanese calligraphy even though it is a symbol and not a character. It symbolises the Absolute, enlightenment, strength, elegance, the Universe, and the void; it can also symbolise the Japanese aesthetic itself. As an ‘expression of the moment’ it is often considered a form of minimalist expressionist art.
In Zen Buddhist painting, ensō represents a moment when the mind is free to simply let the spirit create. The brushed ink of the circle is usually done on silk or paper in one movement (but sometimes the great Bankei used two strokes) and there is no possibility of modification: it shows the expressive movement of the spirit at that time. Zen Buddhists believe that the character of the artist is fully exposed in how he or she draws an ensō. Only a person who is mentally and spiritually complete can draw a true ensō. Achieving the perfect circle, be it a full moon or an ensō is said to be The Moment of Enlightenment.