182. 约翰·威廉·凯撒(1813-1900)。平面艺术家、雕刻学校和国立美术馆馆长` Johann Wilhelm Kaiser (1813~1900). Graficus, directeur van de Graveerschool en van het Rijksmuseum (c. 1875 ~ c. 1900) by Pantaleon Szyndler 高清作品[14%]

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Johann Wilhelm Kaiser (1813~1900). Graficus, directeur van de Graveerschool en van het Rijksmuseum (c. 1875 ~ c. 1900) -

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约翰·威廉·凯撒(1813-1900)。平面艺术家、雕刻学校和国立美术馆馆长-潘塔莱恩·辛德勒

~ Johann Wilhelm Kaiser (1813~1900). Graficus, directeur van de Graveerschool en van het Rijksmuseum (c. 1875 ~ c. 1900) --Pantaleon Szyndler (波兰画家, 1846 - 1905)

183. 自画像。站在这位艺术家旁边的是他的父亲兼老师扬·毛里茨·昆哈德(1688-1772)` Self Portrait. Standing beside the Artist is his Father and Teacher Jan Maurits Quinkhard (1688~1772) (1757) by Julius Henricus Quinkhard 高清作品[14%]

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Self Portrait. Standing beside the Artist is his Father and Teacher Jan Maurits Quinkhard (1688~1772) (1757) -

图片文件尺寸: 3176 x 3768px

自画像。站在这位艺术家旁边的是他的父亲兼老师扬·毛里茨·昆哈德(1688-1772)-Julius Henricus Quinkhard

~ Self Portrait. Standing beside the Artist is his Father and Teacher Jan Maurits Quinkhard (1688~1772) (1757) --Julius Henricus Quinkhard (荷兰艺术家, 1736-1776)

184. 这最蓝的形态,这片海洋,在这无月之夜最黑暗的时刻,被褐色的地球运动和夜间的变化唤醒,最微小的看不见的生物,可见的生物,像信使一样在人们身上翻滚,他们知道更多的是什么,在下面,看不见的 by Rina Banerjee 高清作品[14%]

This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018

材质 :Wood panel, acrylic, sequin, marbled and Batik paper, cow horn, thread, copper nails, silver leaf 尺寸 :101.6 × 50.8 × 3.8 cm Painting

图片文件尺寸 : 5630 x 4332px

这最蓝的形态,这片海洋,在这无月之夜最黑暗的时刻,被褐色的地球运动和夜间的变化唤醒,最微小的看不见的生物,可见的生物,像信使一样在人们身上翻滚,他们知道更多的是什么,在下面,看不见的-班尼杰(Indian, b. 1963)

英文名称:This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018-Rina Banerjee

185. 这个国家需要的是冷静,而不是号角智慧胜过魅力一种历史感多于一种表演感` The Nation needs coolness more than clarion calls; intelligence more than charisma; a sense of history more than a sense of histrionics (1972) 高清作品[13%]

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The Nation needs coolness more than clarion calls; intelligence more than charisma; a sense of history more than a sense of histrionics (1972) -

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这个国家需要的是冷静,而不是号角智慧胜过魅力一种历史感多于一种表演感

~ The Nation needs coolness more than clarion calls; intelligence more than charisma; a sense of history more than a sense of histrionics (1972) -

186. ;大多数人认为HIV只是大城市的一个问题不幸的是,我就是其中之一` Most people think HIV is only a problem in big cities; unfortunately, I was one of those people (1993) by Centers for Disease Control and Prevention 高清作品[13%]

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Most people think HIV is only a problem in big cities; unfortunately, I was one of those people (1993) -

图片文件尺寸: 2400 x 3300px

;大多数人认为HIV只是大城市的一个问题不幸的是,我就是其中之一-疾病控制和预防中心

~ Most people think HIV is only a problem in big cities; unfortunately, I was one of those people (1993) --Centers for Disease Control and Prevention (美国艺术家, 1946-)

187. 《厄洛斯与心灵的厄洛斯研究》,浮雕装饰,圆形大厅,波士顿美术博物馆` Study of Eros for Eros and Psyche, relief decoration, Rotunda, Museum of Fine Arts, Boston (ca. 1917–21) by John Singer Sargent 高清作品[13%]

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Study of Eros for Eros and Psyche, relief decoration, Rotunda, Museum of Fine Arts, Boston (ca. 1917–21) -

图片文件尺寸: 2360 x 3000px

《厄洛斯与心灵的厄洛斯研究》,浮雕装饰,圆形大厅,波士顿美术博物馆-约翰·辛格·萨金特

` Study of Eros for Eros and Psyche, relief decoration, Rotunda, Museum of Fine Arts, Boston (ca. 1917–21) --John Singer Sargent (美国艺术家, 1856-1925)

188. 雅各布·德沃斯·雅各布松的肖像(1803-1878)。阿姆斯特丹艺术收藏家和历史美术馆的所有者` Portrait of Jacob de Vos Jacobszoon (1803~1878). Amsterdam Art Collector and Owner of the Historical Gallery De Vos (1860) by Nicolaas Pieneman 高清作品[13%]

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Portrait of Jacob de Vos Jacobszoon (1803`1878). Amsterdam Art Collector and Owner of the Historical Gallery De Vos (1860) -

图片文件尺寸: 4900 x 6616px

雅各布·德沃斯·雅各布松的肖像(1803-1878)。阿姆斯特丹艺术收藏家和历史美术馆的所有者-Nicolaas Pieneman先生

` Portrait of Jacob de Vos Jacobszoon (1803`1878). Amsterdam Art Collector and Owner of the Historical Gallery De Vos (1860) --Nicolaas Pieneman (荷兰艺术家, 1809 – 1860)

189. 一幅骑术肖像画,画的是一名骑兵卫队第1大队的军官,骑在一辆战车上,右边是一名骑兵` An equestrian portrait of an officer of the 1st troop of horse grenadier guards on a bay charger, with a trooper to the right by David Morier 高清作品[13%]

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An equestrian portrait of an officer of the 1st troop of horse grenadier guards on a bay charger, with a trooper to the right-

图片文件尺寸: 2913 x 3660px

一幅骑术肖像画,画的是一名骑兵卫队第1大队的军官,骑在一辆战车上,右边是一名骑兵-大卫·莫里尔

` An equestrian portrait of an officer of the 1st troop of horse grenadier guards on a bay charger, with a trooper to the right--David Morier (瑞士画家, 1705–1770)

190. 狩猎队可能描绘的是马尔伯勒第三公爵查尔斯·斯宾塞(1706-1758)和他的妻子、马尔伯勒伯爵夫人伊丽莎白(1761年)` A Hunting Party; Possibly Depicting Charles Spencer, 3rd Duke Of Marlborough (1706~1758) And His Wife Elizabeth, Countess Of Marlborough (D.1761) by John Wootton 高清作品[13%]

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A Hunting Party; Possibly Depicting Charles Spencer, 3rd Duke Of Marlborough (1706~1758) And His Wife Elizabeth, Countess Of Marlborough (D.1761)-

图片文件尺寸: 4460 x 2801px

狩猎队可能描绘的是马尔伯勒第三公爵查尔斯·斯宾塞(1706-1758)和他的妻子、马尔伯勒伯爵夫人伊丽莎白(1761年)-约翰·伍顿

~ A Hunting Party; Possibly Depicting Charles Spencer, 3rd Duke Of Marlborough (1706~1758) And His Wife Elizabeth, Countess Of Marlborough (D.1761)--John Wootton (English, 1686–1765)