181. 一个独特托斯卡纳新古典主义马桶,可能锡耶纳式,带原装波尔图大理石台面(约1790年) by Italian, 18th Century 高清作品[19%]

AN EXCEPTIONAL TUSCAN NEO-CLASSICAL COMMODE, PROBABLY SIENESE, WITH ORIGINAL PORTOR MARBLE TOP (ca. 1790)

材质 :Cherry, boxwood, lemonwood, Portor marble 尺寸 :96.5 × 147.3 × 62.2 cm Design\\\\u002FDecorative Art

一个独特托斯卡纳新古典主义马桶,可能锡耶纳式,带原装波尔图大理石台面(约1790年)-意大利,18世纪

英文名称:AN EXCEPTIONAL TUSCAN NEO-CLASSICAL COMMODE, PROBABLY SIENESE, WITH ORIGINAL PORTOR MARBLE TOP (ca. 1790)-Italian, 18th Century

183. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》一部宏大现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[19%]

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Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》一部宏大现实主义作品-斯特罗布里奇公司。

` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

184. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》一部宏大现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[19%]

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Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》一部宏大现实主义作品-斯特罗布里奇公司。

~ Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

186. 一位女士肖像,传统上被认为亚历山德拉·埃维乔夫娜·德米多夫(Alexandra Evichovna Demidov)和克利奥帕特拉(Cleopatra)` Portrait of a lady, traditionally identified as Alexandra Evichovna Demidov as Cleopatra by Pompeo Batoni 高清作品[19%]

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Portrait of a lady, traditionally identified as Alexandra Evichovna Demidov as Cleopatra-

图片文件尺寸: 2372 x 3200px

一位女士肖像,传统上被认为亚历山德拉·埃维乔夫娜·德米多夫(Alexandra Evichovna Demidov)和克利奥帕特拉(Cleopatra)-庞培·巴托尼

` Portrait of a lady, traditionally identified as Alexandra Evichovna Demidov as Cleopatra--Pompeo Batoni (Italian, 1708-1787)

187. 对一位女士四项头部研究,传统上被认为格特鲁德·范德比尔特·惠特尼夫人` Four head studies of a lady, traditionally identified as Mrs Gertrude Vanderbilt Whitney by Paul César Helleu 高清作品[19%]

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Four head studies of a lady, traditionally identified as Mrs Gertrude Vanderbilt Whitney-

图片文件尺寸: 3053 x 1946px

对一位女士四项头部研究,传统上被认为格特鲁德·范德比尔特·惠特尼夫人-保罗·塞萨尔·海勒

~ Four head studies of a lady, traditionally identified as Mrs Gertrude Vanderbilt Whitney--Paul César Helleu (法国艺术家, 1859-1927)

188. 女性肖像,以前被认为梅里考特安妮·约瑟夫·塞罗涅` Portrait de femme, autrefois identifiée comme Anne~Josèphe Théroigne de Méricourt (1793) by Pierre-Nicolas Selles 高清作品[19%]

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Portrait de femme, autrefois identifiée comme Anne~Josèphe Théroigne de Méricourt (1793) -

图片文件尺寸: 3510 x 4282px

女性肖像,以前被认为梅里考特安妮·约瑟夫·塞罗涅-皮埃尔·尼古拉斯·塞尔斯

~ Portrait de femme, autrefois identifiée comme Anne~Josèphe Théroigne de Méricourt (1793) --Pierre-Nicolas Selles (法国艺术家, 1751-1831)

189. 对一位传统上被认为格特鲁德·范德比尔特·惠特尼夫人女士头部进行了六项研究` Six Studies of the head of a Lady traditionally identified as Mrs. Gertrude Vanderbilt Whitney by Paul César Helleu 高清作品[19%]

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Six Studies of the head of a Lady traditionally identified as Mrs. Gertrude Vanderbilt Whitney-

图片文件尺寸: 3200 x 2506px

对一位传统上被认为格特鲁德·范德比尔特·惠特尼夫人女士头部进行了六项研究-保罗·塞萨尔·海勒

~ Six Studies of the head of a Lady traditionally identified as Mrs. Gertrude Vanderbilt Whitney--Paul César Helleu (法国艺术家, 1859-1927)

190. 表演参与者肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这路易丝·布尔乔亚作品,具明确女权主义内涵,创作时对女性状态、女性社会、政治和法律限制指控。(2019-2020) by Susy Gómez 高清作品[18%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这路易丝·布尔乔亚作品,具明确女权主义内涵,创作时对女性状态、女性社会、政治和法律限制指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez