187. “模仿人造花卉真正花朵”——蒂兰西娅·林德尼“毫无疑问,就目前情况来看,唯一真正术家园艺家。”(1974/2018) by William Tillyer 高清作品[33%]

\'real flowers that mimicked artificial ones\' - Tillandsia Lindeni  \'unquestionably, as matters stand today the only true artists are the horticulturalists.\' (1974/2018) | Available for Sale

材质 :Relief and intaglio printing on Arches paper 尺寸 :65 × 50.5 cm Print

“模仿人造花卉真正花朵”——蒂兰西娅·林德尼“毫无疑问,就目前情况来看,唯一真正术家园艺家。”(1974/2018)-威廉·蒂利尔(British, b. 1938)

英文名称:\'real flowers that mimicked artificial ones\' - Tillandsia Lindeni \'unquestionably, as matters stand today the only true artists are the horticulturalists.\' (1974/2018) | Available for Sale-William Tillyer

188. 埃莉诺·罗斯福:美丽年轻人自然偶然,但美丽老年人艺术品(2021) by Lisa A. Foster 高清作品[33%]

Eleanor Roosevelt: Beautiful young people are accidents of nature, but beautiful old people are works of art (2021) | Available for Sale

材质 :Reproduction quilting fabrics, acrylic paint and medium on canvas 尺寸 :50.8 × 40.6 cm Painting

埃莉诺·罗斯福:美丽年轻人自然偶然,但美丽老年人艺术品(2021)-丽莎·A·福斯特

英文名称:Eleanor Roosevelt: Beautiful young people are accidents of nature, but beautiful old people are works of art (2021) | Available for Sale-Lisa A. Foster

190. 这最蓝形态,这片海洋,在这无月之夜最黑暗时刻,被褐色地球运动和夜间变化唤醒,最微小看不见生物,可见生物,像信使一样在人们身上翻滚,他们知道更多什么,在下面,看不见 by Rina Banerjee 高清作品[33%]

This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018

材质 :Wood panel, acrylic, sequin, marbled and Batik paper, cow horn, thread, copper nails, silver leaf 尺寸 :101.6 × 50.8 × 3.8 cm Painting

图片文件尺寸 : 5630 x 4332px

这最蓝形态,这片海洋,在这无月之夜最黑暗时刻,被褐色地球运动和夜间变化唤醒,最微小看不见生物,可见生物,像信使一样在人们身上翻滚,他们知道更多什么,在下面,看不见-班尼杰(Indian, b. 1963)

英文名称:This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018-Rina Banerjee