171. 美国海军陆战队——海上士兵军事训练、旅行、教育、发展` U.S. Marines – Soldiers of the sea Military training, travel, education, development (1913) by Sidney Riesenberg 高清作品[15%]

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U.S. Marines – Soldiers of the sea Military training, travel, education, development (1913) -

图片文件尺寸: 2812 x 4036px

美国海军陆战队——海上士兵军事训练、旅行、教育、发展-西德尼·里森伯格

~ U.S. Marines – Soldiers of the sea Military training, travel, education, development (1913) --Sidney Riesenberg (美国艺术家, 1885-1971)

172. 1648年7月安特卫普为庆祝《蒙斯特条约》而设计的古典凉廊` A Design For A Classical Loggia To Celebrate The Treaty Of Munster In Antwerp July 1648 by Erasmus Quellinus the younger 高清作品[15%]

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A Design For A Classical Loggia To Celebrate The Treaty Of Munster In Antwerp July 1648-

图片文件尺寸: 4000 x 2837px

1648年7月安特卫普为庆祝《蒙斯特条约》而设计的古典凉廊-年轻的伊拉斯谟·奎利努斯

~ A Design For A Classical Loggia To Celebrate The Treaty Of Munster In Antwerp July 1648--Erasmus Quellinus the younger (Flemish, 1607-1678)

175. 她有一个猥亵变态的性变态,涉及到抢尸者的入侵,她解释说这就是为什么她2020年买了一辆新的三菱Triton双排出租车 by Dale Frank 高清作品[14%]

She had an obscene perverse sexual perversion involving invasion of the body snatchers and explained thats why she bought a new Mitsubishi Triton dual cab, 2020

材质 :Pigments in easycast resin, epoxyglass, on perspex 尺寸 :200 × 200 cm Painting

图片文件尺寸 : 5630 x 4332px

她有一个猥亵变态的性变态,涉及到抢尸者的入侵,她解释说这就是为什么她2020年买了一辆新的三菱Triton双排出租车-戴尔·弗兰克(Australian, b. 1959)

英文名称:She had an obscene perverse sexual perversion involving invasion of the body snatchers and explained thats why she bought a new Mitsubishi Triton dual cab, 2020-Dale Frank

176. 斯皮尼利小姐家里,一位身穿绿色连衣裙的年轻女子靠一尊雕像上`Mademoiselle Spinelly at Home, A Young Woman Wearing a Green Dress, leaning against a Statue by George Barbier 高清作品[14%]

AF-Mademoiselle Spinelly at Home, A Young Woman Wearing a Green Dress, leaning against a Statue

图片文件尺寸: 6500×4763 px

斯皮尼利小姐家里,一位身穿绿色连衣裙的年轻女子靠一尊雕像上-巴比耶

-George Barbier (1882-1932) was one of the great 法国艺术家 illustrators of the early 20th century.

Mademoiselle Spinelly at Home, A Young Woman Wearing a Green Dress, leaning against a Statue (illustration), by George Barbier

178. 表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020) by Susy Gómez 高清作品[14%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez

180. 奥地利新古典主雕刻吉尔特伍德扶手椅,维也纳,18世纪晚期 - 安-奥地利-新古典主-雕刻-吉尔特伍德-扶手椅-维也纳-18世纪末 高清作品[13%]

AN AUSTRIAN NEOCLASSICAL CARVED GILTWOOD ARMCHAIR, VIENNA, LATE 18TH CENTURY-AN-AUSTRIAN-NEOCLASSICAL-CARVED-GILTWOOD-ARMCHAIR-VIENNA-LATE-18TH-CENTURY

AN AUSTRIAN NEOCLASSICAL CARVED GILTWOOD ARMCHAIR, VIENNA, LATE 18TH CENTURY-AN-AUSTRIAN-NEOCLASSICAL-CARVED-GILTWOOD-ARMCHAIR-VIENNA-LATE-18TH-CENTURY
(奥地利新古典主雕刻吉尔特伍德扶手椅,维也纳,18世纪晚期-安-奥地利-新古典主-雕刻-吉尔特伍德-扶手椅-维也纳-18世纪末)