176. 18世纪早期，一对带有路易十五银质坐骑的日本伊玛里陶瓷壶 - 18世纪早期，一对日本伊玛里瓷瓶，带路易十五银座 高清作品[27%]

A PAIR OF JAPANESE IMARI PORCELAIN COVERED POTS WITH LOUIS XV SILVER MOUNTS, EARLY 18TH CENTURY-A-PAIR-OF-JAPANESE-IMARI-PORCELAIN-COVERED-POTS-WITH-LOUIS-XV-SILVER-MOUNTS-EARLY-18TH-CENTURY

A PAIR OF JAPANESE IMARI PORCELAIN COVERED POTS WITH LOUIS XV SILVER MOUNTS, EARLY 18TH CENTURY-A-PAIR-OF-JAPANESE-IMARI-PORCELAIN-COVERED-POTS-WITH-LOUIS-XV-SILVER-MOUNTS-EARLY-18TH-CENTURY
（18世纪早期，一对带有路易十五银质坐骑的日本伊玛里陶瓷壶-18世纪早期，一对日本伊玛里瓷瓶，带路易十五银座）

177. 恩索时期`Enso, Edo Period by Mugaku Soen 高清作品[27%]

AF-Enso, Edo Period

图片文件尺寸: 6000×3622 px

恩索时期-苏木谷

-Ensō is a Japanese word meaning circle and a concept strongly associated with Zen. Ensō is one of the most popular subjects of Japanese calligraphy even though it is a symbol and not a character. It symbolises the Absolute, enlightenment, strength, elegance, the Universe, and the void; it can also symbolise the Japanese aesthetic itself. As an ‘expression of the moment’ it is often considered a form of minimalist expressionist art.
In Zen Buddhist painting, ensō represents a moment when the mind is free to simply let the spirit create. The brushed ink of the circle is usually done on silk or paper in one movement (but sometimes the great Bankei used two strokes) and there is no possibility of modification: it shows the expressive movement of the spirit at that time. Zen Buddhists believe that the character of the artist is fully exposed in how he or she draws an ensō. Only a person who is mentally and spiritually complete can draw a true ensō. Achieving the perfect circle, be it a full moon or an ensō is said to be The Moment of Enlightenment.

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