Alice Mak @ McDull Artroom, Spring 2, Mcdull calligraphy-麥家碧@麥兜美術室，午月春麥兜臨甲骨文
（Alice Mak@McDull Artroom，春季2，麦兜书法-麥家碧@麥兜美術室，午月春麥兜臨甲骨文）

Alice Mak @ McDull Artroom, Spring 4, Mcdull calligraphy-麥家碧@麥兜美術室，暢月春麥兜臨孔謙碑
（Alice Mak@McDull Artroom，春季4，McDull书法-麥家碧@麥兜美術室，暢月春麥兜臨孔謙碑）

Alice Mak @ McDull Artroom, Spring 3, Mcdull calligraphy-麥家碧@麥兜美術室，巧月春麥兜臨王羲之草書
（Alice Mak@McDull Artroom，春季3，麦兜书法-麥家碧@麥兜美術室，巧月春麥兜臨王羲之草書）

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书法＃2椅子上的女人-亨利莱曼Saïen.

` Calligraphic #2 Woman on Chair (1914`1918) --Henry Lyman Saÿen (美国艺术家, 1875-1918)

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恩索画圈，书法，挂卷轴，大正时代-中原南登博

-Ensō is a Japanese word meaning circle and a concept strongly associated with Zen. Ensō is one of the most popular subjects of Japanese calligraphy even though it is a symbol and not a character. It symbolises the Absolute, enlightenment, strength, elegance, the Universe, and the void; it can also symbolise the Japanese aesthetic itself. As an ‘expression of the moment’ it is often considered a form of minimalist expressionist art.
In Zen Buddhist painting, ensō represents a moment when the mind is free to simply let the spirit create. The brushed ink of the circle is usually done on silk or paper in one movement (but sometimes the great Bankei used two strokes) and there is no possibility of modification: it shows the expressive movement of the spirit at that time. Zen Buddhists believe that the character of the artist is fully exposed in how he or she draws an ensō. Only a person who is mentally and spiritually complete can draw a true ensō. Achieving the perfect circle, be it a full moon or an ensō is said to be The Moment of Enlightenment.

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三文鱼背景上的书法卷轴和脚本-温诺德赖斯

~ calligraphic scrolls and script on salmon background (1948) --Winold Reiss (美国艺术家, 1886-1953)

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穿着书法和服的站着的妓女-Takizawa Shigenobu

~ Standing prostitute wearing a kimono decorated with calligraphy (c. 1730) --Takizawa Shigenobu (Japanese, active 1720–1740)

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安娜·玛丽亚·伊丽莎白·阿洛伊斯伯爵夫人乔林斯基·弗雷林·冯·莱德斯基及其家庭教师的画像-阿道夫·皮尔希

~ Portrait of Anna Maria Elisabeth Aloyse Countess Chorinsky Freiin von Ledske with her governess--Adolf Pirsch (奥地利艺术家, 1858 - 1929)

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学校教师汉斯·詹森·维斯比（1777-1870）的肖像，来自拉姆勒教区的阿格鲁普-P.C.斯科夫加德

~ Portræt af skolelærer Hans Jensen Visby (1777~1870), fra Aagerup, Ramløse sogn (1840 ~ 1844) --P. C. Skovgaard (丹麦画家, 1817 – 1875)

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母亲教女儿书法，出自《十二职业女性》-喜多川歌麿

` Mother Teaching her Daughter Calligraphy, from the series, Twelve Occupations of Women (c. 1798) --Kitagawa Utamaro (Japanese, 1753-1806)