174. 这个国家需要的是冷静，而不是号角智慧胜过魅力一种历史感多于一种表演感` The Nation needs coolness more than clarion calls; intelligence more than charisma; a sense of history more than a sense of histrionics (1972) 高清作品[25%]

~ The Nation needs coolness more than clarion calls; intelligence more than charisma; a sense of history more than a sense of histrionics (1972) -

图片文件尺寸: 5040 x 6593px

这个国家需要的是冷静，而不是号角智慧胜过魅力一种历史感多于一种表演感

~ The Nation needs coolness more than clarion calls; intelligence more than charisma; a sense of history more than a sense of histrionics (1972) -

175. 你说这是什么黑色的？“你从来都不知道真爱，所以你把我的关心误认为是对你的怜悯和同情”——black，v1（学习06.09.20）（2020年） by Amanda Williams (b. 1974) 高清作品[25%]

What Black Is This You Say? “You’ve never known real love so you mistake my care as pity and feeling sorry for you”—black, v1 (study for 06.09.20) (2020) | Available for Sale

材质 :Watercolor on paper 尺寸 :25.4 × 17.8 cm Drawing, Collage or other Work on Paper

你说这是什么黑色的？“你从来都不知道真爱，所以你把我的关心误认为是对你的怜悯和同情”——black，v1（学习06.09.20）（2020年）-阿曼达·威廉姆斯（生于1974年）(American, b. 1974)

英文名称:What Black Is This You Say? “You’ve never known real love so you mistake my care as pity and feeling sorry for you”—black, v1 (study for 06.09.20) (2020) | Available for Sale-Amanda Williams (b. 1974)

177. 这最蓝的形态，这片海洋，在这无月之夜最黑暗的时刻，被褐色的地球运动和夜间的变化唤醒，最微小的看不见的生物，可见的生物，像信使一样在人们身上翻滚，他们知道更多的是什么，在下面，看不见的 by Rina Banerjee 高清作品[23%]

This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018

材质 :Wood panel, acrylic, sequin, marbled and Batik paper, cow horn, thread, copper nails, silver leaf 尺寸 :101.6 × 50.8 × 3.8 cm Painting

图片文件尺寸 : 5630 x 4332px

这最蓝的形态，这片海洋，在这无月之夜最黑暗的时刻，被褐色的地球运动和夜间的变化唤醒，最微小的看不见的生物，可见的生物，像信使一样在人们身上翻滚，他们知道更多的是什么，在下面，看不见的-班尼杰(Indian, b. 1963)

英文名称:This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018-Rina Banerjee

178. 不管你的一线工作是什么，这都是你的二线工作。帮帮这片土地` Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) by William Showell 高清作品[23%]

~ Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) -

图片文件尺寸: 2661 x 3300px

不管你的一线工作是什么，这都是你的二线工作。帮帮这片土地-威廉·肖威尔

~ Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) --William Showell

179. 为身份不明的餐厅设计，可能是Dunhall和s餐厅，纽约州纽约市。][面具和舞蹈人物壁画（门厅墙壁处理）` Design for unidentified restaurant, possibly Dunhalls Restaurant, New York, NY.] [Mural of masks and dancing figures (Wall treatment in foyer) (1944) by Winold Reiss 高清作品[23%]

~ Design for unidentified restaurant, possibly Dunhalls Restaurant, New York, NY.] [Mural of masks and dancing figures (Wall treatment in foyer) (1944) -

图片文件尺寸: 9494 x 7013px

为身份不明的餐厅设计，可能是Dunhall和s餐厅，纽约州纽约市。][面具和舞蹈人物壁画（门厅墙壁处理）-温诺德赖斯

~ Design for unidentified restaurant, possibly Dunhalls Restaurant, New York, NY.] [Mural of masks and dancing figures (Wall treatment in foyer) (1944) --Winold Reiss (美国艺术家, 1886-1953)

180. 哈姆雷特&;为什么看你！看看它是如何悄悄溜走的——就在门口&; 第三幕，第四场，哈姆雷特` Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) by Edwin Austin Abbey 高清作品[22%]

~ Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) -

图片文件尺寸: 2039 x 2776px

哈姆雷特&;为什么看你！看看它是如何悄悄溜走的——就在门口&; 第三幕，第四场，哈姆雷特-埃德温·奥斯汀修道院

~ Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) --Edwin Austin Abbey (美国艺术家, 1852 - 1911)

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