174. 来自印度尼西亚的尼亚斯祖先雕像和来自新赫布里底群岛马莱库拉的祖先雕像，一对 - 米格尔·科瓦鲁比亚斯 高清作品[39%]

Nias Ancestral Figure from Indonesia and Ancestral Figure from Malekula, New Hebrides, A Pair

  • Miguel Covarrubias
  • Nias Ancestral Figure from Indonesia and Ancestral Figure from Malekula, New Hebrides, A Pair
  • i. Signed with the initials MC (lower right), also inscribed Gowe in dem vonn van een voorouderbeeld, te Hiligowe (moro\'o). (Schroeder) (upper left) ii. Signed with the initials MC (lower right); inscribed Memorial figure made of clay and spiber webbs on a bamboo frame. New Hebrides. About 50\" high. Chicago Museum of Natural History #133108 (on the reverse)
  • i. Watercolor and brush and ink on paper ii. Watercolor, gouache and pencil on paper

    • Nias Ancestral Figure from Indonesia and Ancestral Figure from Malekula, New Hebrides, A Pair-MIGUEL-COVARRUBIAS
    （来自印度尼西亚的尼亚斯祖先雕像和来自新赫布里底群岛马莱库拉的祖先雕像，一对-米格尔·科瓦鲁比亚斯）

    178. 《安格尔的小提琴》，1924年`Le Violon d\'Ingres, 1924 by Man Ray 高清作品[38%]

    AF-Le Violon d\'Ingres, 1924

    图片文件尺寸: 3788×5000 px

    《安格尔的小提琴》，1924年-曼雷

    -The Violon d\'Ingres depicts the nude back of Kiki de Montparnasse, the 法国艺术家 model, actress and nightclub singer who permeated and helped shape Parisian culture of the 1920s. She is posed in accordance with the Valpinçon Bather by Jean Auguste Dominque Ingres hanging famously in the Louvre. The curves of her figure mimic those of a violin, and as such, Man Ray superimposes sound holes characteristic of the musical instrument onto the small of her back. Indeed, the colloquial 法国艺术家 saying \"violon d\'Ingres\" refers to a hidden talent eclipsed by one\'s primary skill--derived from the little known fact that Ingres was an accomplished violinist in addition to his success as an artist. A further reading of the image alludes to the inherent sexual nuances--presenting this actress in the guise of the 19th century Orientalist femme fatale and thereby opening her up to the predatory male gaze or to being \"played\" like an instrument.
    The source of this multi-dimensional title reveals Man Ray\'s wit and knowledge of painting and the history of art, as well as demonstrating his status as a forerunner of conceptual art. Arturo Schwarz writes that \"A photograph thus became an exciting Surrealist image by the coupling of two distant realities\' that transformed the woman\'s torso into the body of a violin. In addition--and this was probably what mattered to Man Ray--he was hinting at the fact that photography was for him merely his violon d\'Ingres; his real interests lay elsewhere\" (A. Schwarz, The Rigour of Imagination, New York, 1977, p. 281).
    As a leading figure in the DADA and Surrealist movements, Man Ray paved the way for conceptual art practice as it developed in the course of the 20th century. His advancements in photography, namely through photocollage and in his self-proclaimed rayographs (cameraless photography), represent only a small piece of his contribution to the art world.

    179. 约翰·弗里德里希·纳格尔，大师画，1900年前的版画，和微型画` by Johann Friedrich Nagel 高清作品[38%]

    DO-Johann Friedrich Nagel - Meisterzeichnungen, Druckgraphik bis 1900, Aquarelle u. Miniaturen
    图片文件像素：4600 x 3500 px

    约翰·弗里德里希·纳格尔，大师画，1900年前的版画，-

    -

    （瓦尔德海姆1765–1825梅ß恩）
    易北河沃尔肯斯坦城堡的全景，壮观岩石下的半木结构房屋，对应物，与题为“沃尔肯斯坦和拉贝姆”或“沃尔肯斯坦和拉贝姆”的旧便签相对照。“Krajina”（风景画），一张署名JF Nagel的纸，纸上有水粉画，黑边，每张26；x；36；厘米，框架，损坏（摩擦），（2）（Hu）

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