169. 巴洛克式写作柜，奥地利，2。18岁半。在19世纪，` by Barocker Aufsatzschreibschrank, Österreich, 2. Hälfte 18. Jahrhundert 高清作品[19%]

DO-Barocker Aufsatzschreibschrank, Österreich, 2. Hälfte 18. Jahrhundert - Osterauktion
图片文件像素：4600 x 3500 px

巴洛克式写作柜，奥地利，2。18岁半。在19世纪，复活节拍卖-

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两件式软木机身，胡桃木贴面，呈直线状，用枫木和水果木制成，中间下部有两扇凹门，两侧各有四间小店，带可折叠顶部和可扩展货架的写字台，以及带折叠盖的两个隔间，带有中央门和十二间店铺，黄色金属配件、锁、一键、高度约196厘米、宽度约132厘米、深度约72厘米、修改和添加、损坏、零件缺失呼叫1800

170. 恩索时期`Enso, Edo Period by Mugaku Soen 高清作品[19%]

AF-Enso, Edo Period

图片文件尺寸: 6000×3622 px

恩索时期-苏木谷

-Ensō is a Japanese word meaning circle and a concept strongly associated with Zen. Ensō is one of the most popular subjects of Japanese calligraphy even though it is a symbol and not a character. It symbolises the Absolute, enlightenment, strength, elegance, the Universe, and the void; it can also symbolise the Japanese aesthetic itself. As an ‘expression of the moment’ it is often considered a form of minimalist expressionist art.
In Zen Buddhist painting, ensō represents a moment when the mind is free to simply let the spirit create. The brushed ink of the circle is usually done on silk or paper in one movement (but sometimes the great Bankei used two strokes) and there is no possibility of modification: it shows the expressive movement of the spirit at that time. Zen Buddhists believe that the character of the artist is fully exposed in how he or she draws an ensō. Only a person who is mentally and spiritually complete can draw a true ensō. Achieving the perfect circle, be it a full moon or an ensō is said to be The Moment of Enlightenment.

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