材质 :Rosewood, ebony, brass 尺寸 :123.2 × 67.3 × 36.8 cm Design\\\\u002FDecorative Art

摄政时期的乌木、黄铜和红木布勒柜子（约1820年）-英语，19世纪

英文名称:A REGENCY EBONY, BRASS, AND ROSEWOOD BOULLE CABINET-ON-STAND (ca. 1820)-English, 19th Century

A CHINESE EXPORT SOUP PLATE, QING DYNASTY, QIANLONG PERIOD, CIRCA 1745-A-CHINESE-EXPORT-SOUP-PLATE-QING-DYNASTY-QIANLONG-PERIOD-CIRCA-1745
（中国出口的汤盘，清朝，乾隆时期，约1745年-A-中国-出口-汤盘-清朝-乾隆-大约1745年）

图片文件尺寸: 2750 x 3200px

弹钢琴的女士-卡尔·霍尔斯

` A Lady Playing the Piano--Carl Holsøe (丹麦画家, 1863-1935)

图片文件尺寸: 2405 x 3000px

钢琴旁的女人-皮埃尔·奥古斯特·雷诺阿

~ Woman at the Piano (1875) --Pierre-Auguste Renoir (法国艺术家, 1841-1919)

图片文件尺寸: 6327×9000 px

钢琴家的左手，1910年-奥古斯特·罗丁

-François Auguste René Rodin (1840–1917) was a 法国艺术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
In 1900, the critic Gustave Kahn wrote, \"Rodin is the sculptor of hands, raging, tensed, arched, damned hands\". There is no doubt that Rodin attached more importance to this part of the body than any other. Fascinated by the expressive power of isolated hands, he studied them unceasingly, accumulating in his studio numerous studies in clay or plaster, in which the sensitivity of the modelling vies with the verisimilitude of the gesture.
Through hands, Rodin expresses the full range of human emotions, from anxiety to suffering, from resignation to despair. As revealing as the face, on their own they can sometimes symbolize a form of human activity, such as this Hand of a Pianist which seems to run over an imaginary keyboard with nervous energy.

图片文件尺寸: 4324 x 3373px

钢琴旁的孩子们-尼古拉·博格达诺夫·贝尔斯基

~ Children By The Piano--Nikolai Bogdanov-Belsky (Russian, 1868–1945)

图片文件尺寸: 2391 x 2906px

站在钢琴前的女人-温斯洛·荷马

~ Woman Standing Before a Piano (1862) --Winslow Homer (美国艺术家, 1836-1910)

材质 :Acrylic and flashe on canvas 尺寸 :152.4 × 121.9 cm Painting

并不是一切都像现在看起来的那样。你不确定下一步该走哪条路。如此不确定让人感觉不舒服，但你必须做出决定，因为站着不动或原地不动都不是一种选择。做出你的选择。(2021)-Dannielle Tegeder和Sharmistha Ray

英文名称:Not everything is as it seems right now. You are unsure as to which way to go next. It feels uncomfortable to be so unsure, but you must make a decision because standing still or remaining in place is not an option. Make your choice. (2021)-Dannielle Tegeder and Sharmistha Ray

图片文件尺寸: 7000×5211 px

泽克斯选择了他的，1797年-尼古拉斯·安德烈·蒙萧

-Zeuxis Choosing his Models, 1797 (Oil on Canvas), by Nicolas-Andre Monsiau

材质 :Wood, walnut 尺寸 :101 × 56 × 53 cm Design\\\\u002FDecorative Art

它们是由贾尔斯·格伦迪（Giles Grendy，约1740年）设计的全盛时期的厅椅-未知的(Unknown)

英文名称:They Heydon Hall Chairs, Attributed to Giles Grendy (ca. 1740)-Unknown