161. 1996年,辣妹格瑞·哈利维尔为“想成为”音乐视频穿的紧身连衣裤 - 穿着紧身连衣裤参加比赛;旺纳贝库特-music-video-by-Spice-Girl-Geri-Halliwell-1996 高清作品[16%]

Leotard worn for the \\\"Wannabe\\\" music video by Spice Girl Geri Halliwell, 1996-Leotard-worn-for-the-quot;Wannabequot;-music-video-by-Spice-Girl-Geri-Halliwell-1996
(1996年,辣妹格瑞·哈利维尔为“想成为”音乐视频穿的紧身连衣裤-穿着紧身连衣裤参加比赛;旺纳贝库特-music-video-by-Spice-Girl-Geri-Halliwell-1996)

163. 这是通往和平的道路,敌人希望如此!所以签署一份战争契约吧!` Das ist der Weg zum Frieden — die Feinde wollen es so! Darum zeichne Kriegsanleihe! (1914) by Lucian Bernhard 高清作品[15%]

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Das ist der Weg zum Frieden — die Feinde wollen es so! Darum zeichne Kriegsanleihe! (1914) -

图片文件尺寸: 2464 x 3585px

这是通往和平的道路,敌人希望如此!所以签署一份战争契约吧!-鲁西安·伯恩哈特

~ Das ist der Weg zum Frieden — die Feinde wollen es so! Darum zeichne Kriegsanleihe! (1914) --Lucian Bernhard (德国艺术家, 1883-1972)

165. 关于荷兰在印度尼西亚定居的看法,J·G·范德(J.G.van der)确实如此` Gezicht op een Nederlandse nederzetting in Indonesië, J. G. van der Does (1843 ~ 1845) by J. G. van der Does 高清作品[14%]

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Gezicht op een Nederlandse nederzetting in Indonesië, J. G. van der Does (1843 ~ 1845) -

图片文件尺寸: 4962 x 2298px

关于荷兰艺术家在印度尼西亚定居的看法,J·G·范德(J.G.van der)确实如此-J·G·范德是的

~ Gezicht op een Nederlandse nederzetting in Indonesië, J. G. van der Does (1843 ~ 1845) --J. G. van der Does (荷兰艺术家, 19th century)

166. 并不是一切都像现在看起来的那样。你不确定下一步该走哪条路。如此不确定让人感觉不舒服,但你必须做出决定,因为站着不动或原地不动都不是一种选择。做出你的选择。(2021) by Dannielle Tegeder and Sharmistha Ray 高清作品[14%]

Not everything is as it seems right now. You are unsure as to which way to go next. It feels uncomfortable to be so unsure, but you must make a decision because standing still or remaining in place is not an option. Make your choice. (2021)

材质 :Acrylic and flashe on canvas 尺寸 :152.4 × 121.9 cm Painting

并不是一切都像现在看起来的那样。你不确定下一步该走哪条路。如此不确定让人感觉不舒服,但你必须做出决定,因为站着不动或原地不动都不是一种选择。做出你的选择。(2021)-Dannielle Tegeder和Sharmistha Ray

英文名称:Not everything is as it seems right now. You are unsure as to which way to go next. It feels uncomfortable to be so unsure, but you must make a decision because standing still or remaining in place is not an option. Make your choice. (2021)-Dannielle Tegeder and Sharmistha Ray

167. 佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视;女孩和女人通常只被视为性对象,而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特是一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上是女性。(2018年) by Jamil Hellu 高清作品[11%]

“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视;女孩和女人通常只被视为性对象,而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特是一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上是女性。(2018年)-Jamil灯

英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu