163. 威廉·米娜(WILHELMINA)作为文艺复兴时期圣母玛利亚(MADONNA)和圣婴的哭泣肖像(以莱昂纳多(LEONARDO)的名字命名) - 弗朗西斯科·维佐利- 高清作品[20%]

 CRYING PORTRAIT OF WILHELMINA AS A RENAISSANCE MADONNA WITH HOLY CHILD (AFTER LEONARDO)-FRANCESCO-VEZZOLI-

CRYING PORTRAIT OF WILHELMINA AS A RENAISSANCE MADONNA WITH HOLY CHILD (AFTER LEONARDO)-FRANCESCO-VEZZOLI-
(威廉·米娜(WILHELMINA)作为文艺复兴时期圣母玛利亚(MADONNA)和圣婴的哭泣肖像(以莱昂纳多(LEONARDO)的名字命名)-弗朗西斯科·维佐利-)

166. 文艺复兴时期绘画的细节(桑德罗·波提切利,维纳斯的诞生)组合(F&S.II.316-319),1984年 by Andy Warhol 高清作品[20%]

Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus) Portfolio (F&S.II.316-319), 1984

材质 :Complete Suite of Four Screenprints on Arches Aquarelle (Cold Pressed) paper 尺寸 :81.3 × 111.8 cm Print

图片文件尺寸 : 5630 x 4332px

文艺复兴时期绘画的细节(桑德罗·波提切利,维纳斯的诞生)组合(F&S.II.316-319),1984年-安迪·沃霍尔。(American, 1928–1987)

英文名称:Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus) Portfolio (F&S.II.316-319), 1984-Andy Warhol

167. 文艺复兴时期绘画的细节(桑德罗·波提切利,维纳斯的诞生)组合(F&S.II.316-319),1984年 by Andy Warhol 高清作品[20%]

Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus) Portfolio (F&S.II.316-319), 1984

材质 :Complete Suite of Four Screenprints on Arches Aquarelle (Cold Pressed) paper 尺寸 :81.3 × 111.8 cm Print

图片文件尺寸 : 5630 x 4332px

文艺复兴时期绘画的细节(桑德罗·波提切利,维纳斯的诞生)组合(F&S.II.316-319),1984年-安迪·沃霍尔。(American, 1928–1987)

英文名称:Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus) Portfolio (F&S.II.316-319), 1984-Andy Warhol

169. 精美的意大利佛罗伦萨文艺复兴时期玛丽·玛格达伦的多色镀金杨木雕刻半身像(约1520年) by Renaissance Works of Art 高清作品[20%]

Fine Italian Florentine Renaissance Polychromed and Gilded Carved Poplar Wood Bust of the Mary Magdalen (ca. 1520)

材质 :Polychromed Gilded Poplar Wood 尺寸 :27 × 28 × 18 cm Sculpture

精美的意大利佛罗伦萨文艺复兴时期玛丽·玛格达伦的多色镀金杨木雕刻半身像(约1520年)-文艺复兴时期的艺术作品

英文名称:Fine Italian Florentine Renaissance Polychromed and Gilded Carved Poplar Wood Bust of the Mary Magdalen (ca. 1520)-Renaissance Works of Art

170. 最后,每一天都是一样的。唯一改变的是我窗户后面的灯光。每天都不一样。每天都很暖和。更明亮,2021 by Kristi Kongi 高清作品[20%]

By the end, every day was the same. The only thing that changed was the light behind my window. Each day, it was different. Each day, it was warmer. And brighter, 2021

材质 :Watercolour, gel pen on paper, wooden frame, glass 尺寸 :28 × 24 cm Painting

最后,每一天都是一样的。唯一改变的是我窗户后面的灯光。每天都不一样。每天都很暖和。更明亮,2021-克里斯蒂·孔吉()

英文名称:By the end, every day was the same. The only thing that changed was the light behind my window. Each day, it was different. Each day, it was warmer. And brighter, 2021-Kristi Kongi