161. 绘画与雕塑的结合` The union of painting and sculpture (1768) by Louis-Jean-François Lagrenée 高清作品[22%] 图片文件尺寸: 2549 x 3375px 绘画与雕塑的结合-路易·让·弗朗索瓦·拉格雷内~ The union of painting and sculpture (1768) --Louis-Jean-François Lagrenée (法国艺术家, 1724 - 1805)
162. l绘画与雕塑的结合` lunione di pittura e scultura (1768) by Louis-Jean-François Lagrenée 高清作品[22%] 图片文件尺寸: 2547 x 3349px l绘画与雕塑的结合-路易·让·弗朗索瓦·拉格雷内~ lunione di pittura e scultura (1768) --Louis-Jean-François Lagrenée (法国艺术家, 1724 - 1805)
163. 山的看法在扎达尔附近的` View of the Mountains Near Zadar by Menci Clement Crnčić 高清作品[22%] 图片文件尺寸: 3231 x 4403px 山的看法在扎达尔附近的-Clnčić克莱门特` View of the Mountains Near Zadar--Menci Clement Crnčić (Croatian, 1865-1930)
164. 带有书法、几何和建筑图案的Khayamiya嵌板(1929年之前) by Unknown 高清作品[22%] 材质 :Cotton appliqué 尺寸 :Phoenix Art Museum Design\\\\u002FDecorative Art 带有书法、几何和建筑图案的Khayamiya嵌板(1929年之前)-未知的(Unknown)英文名称:Khayamiya Panel with Calligraphic, Geometric and Architectural Motifs (before 1929)-Unknown
165. 一个村庄的看法反对山的背景的` View of a village against the background of a mountain (1907) by Tadeusz Makowski 高清作品[22%] 图片文件尺寸: 2398 x 1825px 一个村庄的看法反对山的背景的-Tadeusz Makowski.` View of a village against the background of a mountain (1907) --Tadeusz Makowski (波兰画家, 1882-1932)
166. 从岩石海岸的看法在海` View from a Rocky Coast on the Sea (1912) by Ernst Schiess 高清作品[22%] 图片文件尺寸: 4744 x 6672px 从岩石海岸的看法在海-恩斯斯特·斯切斯` View from a Rocky Coast on the Sea (1912) --Ernst Schiess (瑞士画家, 1872 - 1919)
167. 摩纳哥海湾的看法` View of the Bay of Monaco by Carl O;Lynch of Town 高清作品[22%] 图片文件尺寸: 4455 x 3321px 摩纳哥海湾的看法-Carl O;镇林奇` View of the Bay of Monaco--Carl O\'Lynch of Town (奥地利艺术家, 1869-1942)
168. 横向莱茵河(从桥梁的看法)` Landscape At The Rhine (View From The Bridge) (1913) by Arnold Fiechter 高清作品[22%] 图片文件尺寸: 6288 x 4807px 横向莱茵河(从桥梁的看法)-Arnold Fuechter.` Landscape At The Rhine (View From The Bridge) (1913) --Arnold Fiechter (瑞士画家, 1879-1943)
170. 古代大师之后的书法(16世纪末或17世纪初) by Dong Qichang 高清作品[22%] 材质 :Ink on paper 尺寸 :About the work Drawing, Collage or other Work on Paper 古代大师之后的书法(16世纪末或17世纪初)-董其昌(Chinese, 1555–1636)英文名称:Calligraphy after the Ancient Masters (Late 16th or early 17th century)-Dong Qichang