161. 杰克·弗瑞特·约翰尼她是一个流亡的魔鬼,她改名为尝起来像蜂蜜,改名为阳光,改名为性,改名为有趣,改名为纽约——所有这些都是为了理性,远离苦难、战争和金钱。(2015) by Rina Banerjee 高清作品[17%]

Jack Fruit Johnny she was a Diasporic Devi who changed her name to taste like honey, changed her faith to sunny, changed sex to something funny, changed her city to New York City, -all for reason, to be far, far away, from misery and war and for money. (2015)

材质 :Cotton thread, paper mache vessal base, steel stand, vintage porcelain doll head, silk fabric with printing, porcupine needles, silver leaf, plastic trim 尺寸 :142 × 46 × 51 cm Sculpture

杰克·弗瑞特·约翰尼她是一个流亡的魔鬼,她改名为尝起来像蜂蜜,改名为阳光,改名为性,改名为有趣,改名为纽约——所有这些都是为了理性,远离苦难、战争和金钱。(2015)-班尼杰(Indian, b. 1963)

英文名称:Jack Fruit Johnny she was a Diasporic Devi who changed her name to taste like honey, changed her faith to sunny, changed sex to something funny, changed her city to New York City, -all for reason, to be far, far away, from misery and war and for money. (2015)-Rina Banerjee

162. 出租车系列:东村,那时候整个社区都是这样的。这幅涂鸦由意大利艺术家卢卡·皮佐诺(Luca Pizzorno)创作,她于上世纪90年代中期(1984年)死于艾滋病, by Joseph Rodriguez 高清作品[17%]

TAXI Series: East Village, that whole neighborhood looked like this back then. The graffiti is by Luca Pizzorno, an Italian artist who died because of AIDS in the mid-90s (1984) | Available for Sale

材质 :Silver gelatin print 尺寸 :30.5 × 40.6 cm Photography

出租车系列:东村,那时候整个社区都是这样的。这幅涂鸦由意大利艺术家卢卡·皮佐诺(Luca Pizzorno)创作,她于上世纪90年代中期(1984年)死于艾滋病,-约瑟夫·罗德里格斯(American, b. 1951)

英文名称:TAXI Series: East Village, that whole neighborhood looked like this back then. The graffiti is by Luca Pizzorno, an Italian artist who died because of AIDS in the mid-90s (1984) | Available for Sale-Joseph Rodriguez

164. 帕德雷·波佐(Padre Pozzo)在自己的画室里画画,周围都是他手下的僧侣` Padre Pozzo Painting In His Studio Surrounded By Monks Of His Order (1838) by François-Marius Granet 高清作品[17%]

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Padre Pozzo Painting In His Studio Surrounded By Monks Of His Order (1838) -

图片文件尺寸: 4460 x 3468px

帕德雷·波佐(Padre Pozzo)在自己的画室里画画,周围都是他手下的僧侣-弗朗索瓦·马吕斯·格拉内特

~ Padre Pozzo Painting In His Studio Surrounded By Monks Of His Order (1838) --François-Marius Granet (法国艺术家, 1775 - 1849)

165. 你身体的所有细胞都是相互依存的。在一场家庭表演中,你呼出的每一个呼气都或多或少地与世界上的一切有着突然的联系。那么你的独特观点在哪里,你的独立身份在哪里?(2018年) by Rui Ferreira 高清作品[17%]

Todas as Células do Teu Corpo São Interdependentes de Tudo o que Existe. Numa Performance Doméstica Cada Expiração Que Exalas Tem Uma Relação Mais ou Menos Súbtil Com Tudo o que Existe em Todos os Mundos. Então Onde Está o Teu Ponto de Vista Único, Onde Está a Tua Identidade Separada? (2018) | Available for Sale

材质 :Acrylic and mixed media on canvas 尺寸 :200 × 160 cm Painting

你身体的所有细胞都是相互依存的。在一场家庭表演中,你呼出的每一个呼气都或多或少地与世界上的一切有着突然的联系。那么你的独特观点在哪里,你的独立身份在哪里?(2018年)-鲁伊·费雷拉(b. 1977)

英文名称:Todas as Células do Teu Corpo São Interdependentes de Tudo o que Existe. Numa Performance Doméstica Cada Expiração Que Exalas Tem Uma Relação Mais ou Menos Súbtil Com Tudo o que Existe em Todos os Mundos. Então Onde Está o Teu Ponto de Vista Único, Onde Está a Tua Identidade Separada? (2018) | Available for Sale-Rui Ferreira

166. 虽然现在离开了这个行业,但她一生都在悉尼的三个商业画廊工作过,有三个孩子,每一个都是来自每个画廊的艺术家,但是哀叹这一事实,而不是三个小狗屎中没有一个会去看她或关心她,2021。 by Dale Frank 高清作品[16%]

Although now left the industry she had worked for three Sydney commercial galleries all her life and had three children, each fathered by an artist from each gallery, but bemoaned the fact than none of the three little shits would visit or cared about her, 2021

材质 :Colour and metallic pigments, black aluminium, acrylic in easycast resin, epoxyglass, on perspex 尺寸 :200 × 180 cm Painting

图片文件尺寸 : 5630 x 4332px

虽然现在离开了这个行业,但她一生都在悉尼的三个商业画廊工作过,有三个孩子,每一个都是来自每个画廊的艺术家,但是哀叹这一事实,而不是三个小狗屎中没有一个会去看她或关心她,2021。-戴尔·弗兰克(Australian, b. 1959)

英文名称:Although now left the industry she had worked for three Sydney commercial galleries all her life and had three children, each fathered by an artist from each gallery, but bemoaned the fact than none of the three little shits would visit or cared about her, 2021-Dale Frank

167. 不管你的一线工作是什么,这都是你的二线工作。帮帮这片土地` Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) by William Showell 高清作品[16%]

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Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) -

图片文件尺寸: 2661 x 3300px

不管你的一线工作是什么,这都是你的二线工作。帮帮这片土地-威廉·肖威尔

~ Whatever your front line job, this is your second line job. Lend a hand on the land (between 1939 and 1946) --William Showell

168. 在给予奴隶自由的过程中,我们给予和保护的东西都是值得尊敬的。亚伯拉罕·林肯` In giving freedom to the slave, honourable alike in what we give and what we preserve. Abraham Lincoln (1971) by Paul Peter Piech 高清作品[16%]

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In giving freedom to the slave, honourable alike in what we give and what we preserve. Abraham Lincoln (1971) -

图片文件尺寸: 3220 x 8960px

在给予奴隶自由的过程中,我们给予和保护的东西都是值得尊敬的。亚伯拉罕·林肯-保罗·彼得·皮奇

~ In giving freedom to the slave, honourable alike in what we give and what we preserve. Abraham Lincoln (1971) --Paul Peter Piech (美国艺术家, 1920-1996)

169. 前景为大悬崖的景观——Cuyp和s原则(第3条)前景是树木,远处是群山——两者都是s原则` Landscape with Large Cliff in Foreground – Cuyps Principle (no. 3); Landscape with Tree in Foreground, Mountains in Distance – Boths Principle by Thomas Sully 高清作品[16%]

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Landscape with Large Cliff in Foreground – Cuyps Principle (no. 3); Landscape with Tree in Foreground, Mountains in Distance – Boths Principle-

图片文件尺寸: 2854 x 4096px

前景为大悬崖的景观——Cuyp和s原则(第3条)前景是树木,远处是群山——两者都是s原则-托马斯·萨利

` Landscape with Large Cliff in Foreground – Cuyps Principle (no. 3); Landscape with Tree in Foreground, Mountains in Distance – Boths Principle--Thomas Sully (美国艺术家, 1783-1872)